Sunday, November 19, 2006

Tom's Meat Market reopens


Photos by Mark M. Hancock / © The Beaumont Enterprise

Tom's Meat Market in Spurger, Texas has been largely repaired by Thursday, Sept. 21, 2006. Hurricane Rita destroyed the grocery store, which forced community residents to drive many miles to get fresh meat.


Randy Holcomb cuts beef at Tom's Meat Market in Spurger. The Holcombs were uninsured and have invested their life savings to reopen the store.


Randy Holcomb cuts round steaks at Tom's Meat Market.


Sandra Holcomb slices ham at Tom's Meat Market. Although the store requires much more work, the family-owned business is starting to recover.


Jaina Shook measures half-pound portions of ground beef at Tom's Meat Market. The market also grills and sells hamburgers.


Sharon Emerson (left) holds her granddaughter Reigan Shook, 3 months, as her father Blayke Shook (right) gives her a goodbye kiss at Tom's Meat Market in Spurger.
 

Saturday, November 18, 2006

Lamar women open hoops season


Photos by Mark M. Hancock / © The Beaumont Enterprise

Lamar's LaToya Carson (No. 25, center) shoots over New Mexico State's Sherell Neal (No. 2, right) as Clara Denning (No. 33, left) watches during the season-opening women's college basketball game at Lamar University in Beaumont on Sunday, Nov. 12, 2006.



Lamar's Aida Bakhos (No. 13, center) tries to pass over New Mexico State's Jazmyn Foster (No. 3, left) and Tyshae Walton (No. 35, right) during the season-opening women's basketball game at Lamar University.



Lamar's Brittney Williams (No. 34, left) completes a layup after New Mexico State's Sherell Neal (No. 2, right) misses a block attempt.



New Mexico State's Sherell Neal (No. 2, center) is surrounded by Lamar Lady Cardinals during the season-opening game at Lamar University.
 

Collect the invoice payment

Between the time I left the Army and got my degrees, I worked four years as a corporate collector for General Electric Capital. I handled the business revolving charge accounts for a national office supply chain and a popular computer manufacturer.

Each month, I'd be handed several million dollars worth of delinquent accounts and a specific collection goal. With few exceptions, I regularly exceeded my goals. So, I know a bit about collecting debt and how accounts payable departments work.

Let's demystify the process for new PJs. Hopefully nobody needs to use this information. However, it's better to know and not need it than to need it and not know.

Don't take it personally
Most PJs are passionate about what they do and pour themselves into their work. As such, they tend to take negative treatment personally. Business isn't personal. It's about shuffling numbers around.

Pro number shufflers (accounts payable) only want accountability. You're not PJ, a person or even a business to them. Frankly, they could care less about your images. You're only a set of numbers (dollar amounts) tied to another set of numbers (invoice). If they can clear your numbers off their books, they're happy. If they never got an invoice (for whatever reason), the debt doesn't exist.

Reasonable payment time
The first problem new PJs have is getting accustomed to accounts payable cycles. Unless a client's contract states otherwise, a reasonable time from invoice to payment is about 30 days.

This means new freelance PJs better have a month's worth of cash on hand, or they're done before they start.

Each business is different, but larger corporations tend to be extremely efficient on the biz side. Rather than buying extra check printing machinery, they schedule payroll checks on a specific Wednesday and accounts payable are handled on the opposite Wednesday.

It sounds fair enough unless a PJ's invoice is sent on Friday, arrives on Wednesday, makes it to accounts payable on Thursday and sits on a desk for almost two more weeks. This is ignoring any delays before it gets to accounts payable.

This process has changed in recent years as more companies have moved to electronic payments for both payroll and accounts payable. However, this also means the broken printers won't be replaced, so don't get too excited when dealing with a new client.

Without getting into all the details, understand some companies pay promptly upon invoice while others absolutely won't pay until 30 days (to keep accrued interest).

Remind yourself
The folks who follow the advice in "Manage your money" (or the longer "Budget for three months" post) already understand how to track invoices. Otherwise, establish some other way to know when 30 days have passed and payment is due.

Initial actions
Thirty days have passed since the invoice date. There still isn't money in a PJ's bank account. What should we do?

Don't panic. The payment was probably in the warehouse fire you covered last week and it got torched. It's a "no fault" situation that can be easily remedied.

Check the mail
I know, but we get busy and forget to look in the bill receptacle. Maybe there's a nice treat in there too.

E-mail the client
Because I was a collector, I hate phones. So I normally e-mail first. Editors are busy, don't waste their time. Be cordial yet direct. Here's a good example:
Invoice?
(sent on Nov. 1)

Cynthia,

Would you know what happened to my invoice? It was for my invoice #GMM06-10 for assignment 555555 for $468.60. I sent the invoice on Oct. 1, 2006 to your attention. This was the "Gators taste like..." assignment. The images were transmitted on Sept. 30, 2006 and the image ran on Oct. 2, 2006. Any info would be appreciated.

Thanks again,

John P. Shooter
Address
City, State, Zip

What was done?
The e-mail header and return address should get the editor's attention rather than being seen as spam. The date is automatic, but important for problem accounts.

Address the specific editor or accounting representative. Formal folks might include "Dear" before the name.

We immediately address the question but in a non-confrontational tone. Their initial answer is probably "I don't know." Consequently, they're gently encouraged to find out what happened without being commanded to do so.

We also note every possible tracking number and date associated with the assignment because we don't know how it's listed in their system. Also remind them about the amount, the date it was mailed and the subject of the assignment. Then formally ask for their help.

Thank them and close the e-mail with your current mailing address.

Reaction
Typically, editors check with accounts payable and let you know what's up within 24 hours. If they say they didn't get the invoice or it never made it to accounts payable (both are reasonable mail problems), ask if you can e-mail or fax the invoice again. If yes, do it now with a note requesting a confirmation. "Please let me know you got this without problems" is normally good on the resubmission.

This solves the vast majority of payment problems.

If there is no response to the initial e-mail within one day, pick up the phone. The assignment editor may be off or on vacation. It's important to resolve this quickly to avoid more uncomfortable actions.

If the PJ already has a collection folder, place a copy of all e-mails into the folder as they are sent. Otherwise, make sure to keep a copy in the "sent" folder until the payment is received.

A call normally does it all
Folks, who aren't phone adverse, are probably better served by calling. A direct call to the assignment editor typically gets immediate results. Cover the same information listed above. If the editor doesn't know the answers, leave a call-back number.

If the assignment editor isn't available, ask to speak with whoever else could answer an accounts payable question (get their direct number if you can).

If connected directly with accounts payable, give them all the numbers they need to sort through their information. If they don't have a record of the invoice, ask them if you can e-mail or fax the information to them.

In all situations, make sure they have your correct mailing address in their system. Also, note the names of anyone handling the account as you speak with them.

What's the next step?
PJs have e-mailed and called, but were unable to talk to the assignment editor or accounts payable.

Send a reminder invoice to the attention of "accounts payable." This bypasses an editor who might be sitting on invoices for some unknown reason.

However, we're going to place "30 Day Notice" in big, bold letters at the top of the invoice. At the bottom, add "If you've already mailed this payment, please disregard this notice."

If the client is well-established it's probably a paperwork issue. It'll be resolved soon. If this is a new client, go ahead and send the 30 day notice so they know not to abuse you in the future.

In the accounting database, move the account information to 45 days. This is your follow-up reminder.

Collection advise
From here onward, PJs become collectors rather than salespeople. We're getting payment for an image that has already been published (our copyright hammer).

Don't threaten. Only tell the debtor what has been done.
Keep intensity low. Don't take it personally. Get the money owed and conclude business.
Continue the process. No matter what is said, continue a methodical approach until the amount owed (and any fees and/or interest) is in the PJ's bank account.

Phone notes
As journalists, we're all trained to collect who, what, when, where, why and how. As collectors, we collect the same information from accounts payable.
Who sent the payment? (get a specific name)
What amount was sent? (verify amount)
Where was the payment sent? (verify correct address)
Why was it sent late? (to avoid future problems)
How was the payment sent? (snail mail, FedEx, electronic, carrier pigeon)

Obviously, use discretion when dealing with clients. If the information they give is believable, believe them until proven false. As the account ages, it's important to get specific information about payments and create evidence for further actions.

The point of these questions is to solve future problems at first. Later, it's important to have evidence of deliberate violations of truth. If accounts payable said check number XXX was sent to the correct address on a specific date, and later say they never sent it, this is important to have documented for copyright violation claims.

E-mail the notes
PJs should make a folder in their e-mail program for "collections." Any e-mails and phone notes should go into this folder for easy access later.

Before making a collection call, paste the invoice details into a blank e-mail addressed to yourself. Then, paste the questions above below the invoice information. Next, enter the date and numbers called and ask for the names of people who make arrangements or take messages. Quickly type any conversation notes and/or promises they make.

When the call is concluded, send the e-mail notes to yourself and place them into the collection folder. This gives the information a verifiable date and time stamp.

Before each subsequent call, copy the information from the previous e-mail into a new e-mail, update for any fee changes (interest and/or late fees), type the day's date and add new notes. This develops a recorded and verified history of conversations with the client. It also allows the PJ to have immediate access to any information related to the delinquent account.

45 Day notice
If contact was made at 30 days, follow up via the same route (e-mail or phone) requesting information about when and where the payment was mailed.

Notice we asked when and where it was mailed. At this point, change the tone slightly to remind the client that the payment should already be in the PJ's hands.

If contact has failed
At 45 days, it's getting serious if no active contact (e-mail or phone) has been established. PJs have tried twice and given plenty of time for editors or accounts payable to return from vacations.

If we still haven't established contact, it's time to (nicely) get someone's attention (and make sure they're still in business). Send them an official notice letter. Use the normal headers and footer, but limit the invoice data. They should know about it by now. Try this sample:
Accounts Payable,

I/we have tried unsuccessfully to contact (biz name) regarding Invoice #GMM06-10 for $468.60. Please contact me/us at your earliest convenience to discuss this account.

If you've already mailed this payment, please disregard this notice.

Sincerely,

John P. Shooter
Phone
Address
City, State, Zip
E-mail

We've added phone and e-mail contact information if it wasn't previously included. PJs might start to use the formal "we" to change the tone of the letter. This lets accounting know the PJ understands this is a business situation. It also implies more than one person depends on the payment (possibly a lawyer).

60 Day actions
At 60 days, it's time to decide if client is worth the stress. We'll again send our e-mails and make our calls, but we're going to send a late notice letter to secure our legal rights.

If it's a regular client and this is one old invoice and/or they've paid other invoices, make a call and e-mail and send the previous letter. They may have mixed up invoice numbers or some other accounting problem.

At this point, it's important to get all paperwork ready for future actions. PJs who schedule their "hard copyrights" quarterly (opposed to soft copyright upon shutter release) need to send the batch early to secure absolute rights on the images and have a copyright number to present to a lawyer.

If it's a new client, they owe a large amount or the client isn't worth the problem, it's time to resolve this problem.

60 Day Notice

Accounts Payable,

We value your continued business. We have not received payment for Invoice #GMM06-10 for $468.60. Payment was expected on (date). Please contact me/us to resolve this account.

If you've already mailed this payment, please disregard this notice.

Sincerely,

John P. Shooter
Phone
Address
City, State, Zip
E-mail

90 Day actions
If it's a regular client and this is one old invoice and/or they've paid other invoices, make a call and e-mail and send the previous letter. By now, we should know the reason for delinquency (R4D). However, we need to keep the ball rolling and protect our legal rights.

At 90 days, we're done with any new or infrequent clients. We need to move on to greener pastures. We'll again send our e-mails and make our calls, but we're going to send a demand letter to secure our legal rights. Send this notice with a return receipt request card (make them sign for it).
90 Day demand
Manager Accounts Payable Department,

We have not received payment for Invoice #GMM06-10 for $468.60. Payment was expected on (date). Under the terms of our contract, we demand payment in full. Please contact me/us to verify this payment has been sent.

If you've already mailed this payment, please disregard this notice.

Sincerely,

John P. Shooter
Phone
Address
City, State, Zip
E-mail

120 Day actions
At four months, we're done. Don't ever take an assignment from this client again (and let other local shooters know what's up as well).

If the client published the image AND the PJ submitted the images for a "hard" copyright, the client is so screwed.

At 120 days without any reasonable R4D, particularly for balances over $500, it's time to enforce copyright. The client is in violation of the contract by not paying. They have essentially stolen the image. It's time to make a packet with copies of the contract, delivery memo, hard copyright info, copies of all e-mails, delinquency notices and collection notes (from phone conversations).

Take the evidence packet to your friendly neighborhood copyright attorney along with a high-end bid for the same image had it been stolen (probably a much higher amount than the gig originally offered).

The lawyer will see the easy money. The lawyer tacks her/his fee onto the end of your fees and sends a demand notice for the new-and-improved total. This is the final nail in the coffin. The lawyer's next steps are to arrange a court date and get treble damages from the client for copyright violation.

Enough for now,
 

Friday, November 17, 2006

Sabine surfing


Photos by Mark M. Hancock / © The Beaumont Enterprise

Whitney Whitenton of Spring, Texas (left) prepares his sailboard while Chris Ihle of Port Arthur (right) carries his board to Sabine Lake at Pleasure Island in Port Arthur on Wednesday, Nov. 15, 2006. Windsurfers took advantage of the unusually strong winds while much of Southeast Texas was negatively affected. Flight delays were common at Houston's airport today.


Chris Ihle of Port Arthur (left) windsurfs while Les Proske of Dickinson, Texas prepares to ride in Sabine Lake.


Les Proske (left) and Whitney Whitenton (center) windsurf while Chris Ihle (right) takes a break in Sabine Lake.


Whitney Whitenton of Spring, Texas turns his sailboard in Sabine Lake.


Les Proske (left) and Gary Hobbs (right) windsurf on Sabine Lake. Hobbs used a GPS unit to clock his speed on the water at 33.3 MPH.


Chris Ihle of Port Arthur returns after wind surfing at Pleasure Island in Port Arthur. The surfers said the powerful, gusting winds were difficult to safely control.

Thursday, November 16, 2006

Playoff quarterback


Mark M. Hancock / © The Beaumont Enterprise

West Hardin High School senior quarterback Brandon Letsinger poses for a portrait at the school in Saratoga on Monday, Nov. 13, 2006. His team is heading into the playoffs.
 

Wednesday, November 15, 2006

Voicing concern


Mark M. Hancock / © The Beaumont Enterprise

Gwenalyn Westbrooks voices her concern about neighborhood gangs, drugs and prostitution during the first Community Access Committee meeting at the Beaumont Civic Center in Beaumont on Monday, Nov. 13, 2006. The committee was formed to allow residents to inform the Beaumont Police Department about issues of concern.

Image is part of the Charlton-Pollard series.

Tuesday, November 14, 2006

Lamar men open hoops season


Lamar's Brandon Chappell (No. 1, right) grabs a bad pass as Texas Southern's Nick Walker (No. 3, left) changes gears during a college basketball game at Lamar University in Beaumont on Saturday, Nov. 11, 2006.

Mark M. Hancock / © The Beaumont Enterprise

Monday, November 13, 2006

Central lateral


Mark M. Hancock / © The Beaumont Enterprise

Central High School's Brandon Williams (No. 5, left) laterals the ball to Derrick Hall (No. 3, right) as he's hit by Ozen's Darron Wilkerson (No. 28) during the last regular season game at Lamar University in Beaumont on Friday, Nov. 10, 2006. Central advances into the playoffs while Ozen is done for the season.

Sunday, November 12, 2006

Veterans Day program


Photos by Mark M. Hancock / © The Beaumont Enterprise

Retired 1st Sgt. Alex L. Pellerin Sr. (left) salutes as Art Ferris plays the national anthem during a Veterans Day program at the Golden Triangle Veterans Memorial Park in Port Arthur on Saturday, Nov. 11, 2006.


Austin Solis of Port Arthur holds a U.S. Marine Corps flag during a Veterans Day program at the Golden Triangle Veterans Memorial Park. Solis was a Marine from 1955 to 1957.



Members of the Sons of Confederate Veterans Walter P. Lane Camp fire two cannons during a Veterans Day program at the Golden Triangle Veterans Memorial Park.


Tom Horne (left) and Art Ferris (right) play Taps during a Veterans Day program at the Golden Triangle Veterans Memorial Park in Port Arthur.

Saturday, November 11, 2006

Shoot for magazine layout


Betty Greenberg poses for a portrait at her home in Beaumont on Wednesday, Oct. 25 2006.

This version of a cover image allows room for a magazine nameplate, mailing label and story teases. Orientation is to the right.

Photos by Mark M. Hancock / © The Beaumont Enterprise for BE magazine



Betty Greenberg poses for a portrait at her home in Beaumont.

This version allows room for a magazine nameplate, mailing label and story teases down the right-hand side plus a breakout box on the lower, left-hand corner. Orientation is non-traditional. Her angle is left, but her eyes orient right.



Betty Greenberg poses for a portrait at her home in Beaumont.

This is the best version for most publications. It allows room for a magazine nameplate, mailing label and story teases down the right-hand side plus a breakout box on the lower, left-hand corner. Orientation is to the right.



Paige Windham (left) and Betty Greenberg (right) pose for a portrait at Greenberg's home in Beaumont.

This version is the best for a traditional cover. It allows room for a magazine nameplate and mailing label. Orientation is forward.




We've talked about offering various layout options. Primarily, we've talked about horizontal and vertical layout options as well as subject orientation. These are common requirements of newspaper layout. However, newspapers don't (and shouldn't) place text within the image area.

If PJs are shooting a magazine cover, additional factors come into play. Text is commonly placed within magazine image areas. Cover images are almost exclusively vertical. Most magazines also tend to run more vertical images than horizontal images inside.

Although I haven't elaborated yet, it's important to have model releases on everyone and property releases for anyplace (non-public) appearing in images for a magazine. Although most magazines have journalistic protections, some don't. Don't take a chance with any of them; get the releases.

What magazines require
About 80 percent of all magazine rack sales come from cover design. Every element of a magazine cover is critical to the magazine's survival. Consequently, PJs must shoot exactly what's needed if they want to get a cover.

For the cover story above about sweaters for a specialty publication, I needed to present several options. All of the options needed to have extra space at the top of the frame for a nameplate. If the image runs inside, the top would be cropped to make the image into a square.

While traditional magazines only require nameplate space at the top, most modern magazines place text over the cover image to entice readers to the stories within. Frequently, text is placed on the right-hand side of the image. No matter how good an image is, it won't be used for the cover unless there is a place for this text.

Most Western-language magazines are bound on the left-hand side. Middle Eastern magazines bind on the right-hand side. This can present problems for some PJs in Europe, Africa and Asia.

Most American publications want the subject situated in the middle-to-lower, left-hand corner for cover consideration. Well-established magazines often float the subject over the nameplate, but it's not the preferred option for most designers.

Additionally, many glossy magazines require a mail label area in the lower, right-hand corner of the cover image.

When a magazine client lets a PJ know an assignment has cover potential, it's critical to make sure to keep these factors in mind (particularly if there's cover incentive money involved).

Once PJs are certain they have the cover shots nailed, they can move to inside shots. These are shot similar to newspaper images, but it's wise to shoot both horizontals and verticals of everything.

Previsualize the layout
New PJs and/or those wishing to branch out into editorial work need to start seeing these layouts when they look at a scene. Most PJs know how to previsualize the frame proportions when they look at a scene. Rather than looking at the subject, they see the edges of the frame.

Next, PJs learn to superimpose text elements over the scene. The remaining area is the usable portion of the frame. This is the area where the main subject must be located.

However, the remainder of the frame must still contain information. Although it's less important space, it's not "dead space." Some clients may use a square, oversized format. This really compresses the usable image area.

Orient right
Considering the information above, it's best to orient the subject toward the right (where the text is). Otherwise the subject looks toward the spine of the magazine and the layout folks might be tempted to flop the image. Although this is forbidden in newspapers, it happens too often on magazine covers.

Just for fun, select any famous cover model with a "beauty mark" (like Cindy Crawford). Go online or to the newsstand and see if you aren't confused after a few minutes about where the mark actually resides. It'll probably switch from side to side with each publication.

However, if every image is shot for the cover, an inside image may get flopped to accommodate inside layout. If PJs take the time to shoot both orientation options (left and right), then there's no need to flop an image. Since a lawsuit was successful due to a flopped image, I'll again emphasize the importance of model releases.


Enough for now,
 

Friday, November 10, 2006

Kirbyville tackled


Mark M. Hancock / © The Beaumont Enterprise

Kirbyville's Pierce Rhodes (No. 2, center) gets stopped by Silsbee's Brandon Watts (No. 21, left) and Adam Tanton (No. 59, right) during a high school football game in Kirbyville on Friday, Nov. 3, 2006.
 

Thursday, November 09, 2006

How quickly things change


Photos by Mark M. Hancock / © The Beaumont Enterprise

Jefferson County Commissioner Eddie Arnold (left) has a laugh with Republican candidate for county judge Billy Job (right) before early voting returns were announced at the VIP Hotel in Port Arthur on Tuesday, Nov. 7, 2006.


Republican candidates Billy Job (left) and Rick Williams (right) assess negative early voting returns at the VIP Hotel. Job ran for Jefferson County Judge. Williams ran for 279th District Judge. Both lost.

Today, it was confirmed that the House and Senate both went to the Democratic Party. Donald Rumsfeld also stepped down as Secretary of Defense.

Wednesday, November 08, 2006

Electioneering


Photos by Mark M. Hancock / © The Beaumont Enterprise

Jim Fuerstenberg of Groves electioneers for the Republican Party at Marshall Middle School in Beaumont on Tuesday, Nov. 7, 2006.


Election signs for different candidates greet voters at Marshall Middle School in Beaumont.

Tuesday, November 07, 2006

German immigrant


Photos by Mark M. Hancock / © The Beaumont Enterprise

Stephan Bender jokes with customers at the Starbuck's Cafe in Barnes & Noble in Beaumont on Wednesday, Sept. 27, 2006. Bender was born in Austin and moved to Wuppertal, West Germany when he was 3 months old. He moved back to Silsbee, Texas in 2001 where he graduated from Silsbee High School.


Stephan Bender straightens tables at the Starbuck's Cafe in Barnes & Noble in Beaumont. He is currently a senior economics-finance-marketing triple major at Lamar University and plans to get an MBA from the University of Texas in Austin.

Please read "PEOPLE WE KNOW: German student makes Texas home" by Jamie Reid.

Images are part of the faces of immigration series.
 

Monday, November 06, 2006

LNG plant construction


Mark M. Hancock / © The Beaumont Enterprise

The Lucky Lily shrimp boat heads toward the Gulf of Mexico as construction continues on the Golden Pass LNG (liquified natural gas) plant in Port Arthur on Friday, Aug. 18, 2006. Construction workers anticipated to work on the project may put a strain on the city's infrastructure.

Sunday, November 05, 2006

Big Thicket survey


A survey stake marks a point where a small seismic charge will be set near the Kirby Nature Trail at the Big Thicket preserve in Kountze on Thursday, August 10, 2006. Although the park service has control of the area's surface, others own mineral rights under the property.

Photos by Mark M. Hancock / © The Beaumont Enterprise



Big Thicket Association board member Maxine Johnston (left) talks with biologist Haigler "Dusty" Pate, who is an oil and gas program manager for the National Park Service, (right) at the Kirby Nature Trail at the Big Thicket preserve.


Biologist Haigler "Dusty" Pate shows where a project is being considered at the Kirby Nature Trail at the Big Thicket preserve. Pate must balance conservation of the property against mineral owners' rights to their property.


Biologist Haigler "Dusty" Pate of the National Park Service examines a survey stake near the Kirby Nature Trail at the Big Thicket preserve. Pate ensures the surveyors hired by the mineral rights owners do not destroy the natural habitat as they look for oil and gas in the national park.
 

Saturday, November 04, 2006

Williams' practice


Mark M. Hancock / © The Beaumont Enterprise

Albert Williams runs the ball during practice at West Brook High School in Beaumont on Tuesday, Oct. 17, 2006. He is this week's player of the week.
 

"Behind the Lens" opens tonight

Just a reminder to local folks that the opening reception for "Behind the Lens" is tonight (Saturday, Nov. 4, 2006) at The Art Studio on Franklin Street in downtown Beaumont from 7 to 10 p.m. Fayrouz and I will both be there. I'm exhibiting five Photo mosaics (technically 310 individual images).

Friday, November 03, 2006

Christmas marketing push


Photos by Mark M. Hancock / © The Beaumont Enterprise

A toy Santa Claus welcomes shoppers into an aisle of Christmas decorations at Hobby Lobby in Beaumont on Thursday, Oct. 19, 2006. Hobby Lobby has had Christmas items on store shelves since June.


Cecilia Shirley of Hamshire shops for Christmas decorations for her daughter at Hobby Lobby. Shirley owns Cecilia's Scrubs and has been buying material and selling Christmas-themed scrubs since July.


Plush dolls and other Christmas decorations are already on sale at Hobby Lobby. The National Retail Federation anticipates retailers will increase earnings five percent more than last year partially due to the push to offer items seasonal items earlier.


Vivian Gibbs of Beaumont shops for Christmas decorations at Hobby Lobby in Beaumont. Many items are already reduced by 50 percent.

Thursday, November 02, 2006

Rodeo gear


Photos by Mark M. Hancock / © The Beaumont Enterprise

Spurs and chaps are displayed at the Branding Iron Western Store in Beaumont on Tuesday, Oct. 3, 2006. Rodeo cowboys prefer specific boots, spurs and safety gear that is only available at select specialty stores.


Billy Cupps, co-owner of the Branding Iron Western Store, prepares spurs for a boot at the store. The store offers a variety of gear specifically for rodeo cowboys.


The left boot doesn't feature a spur ledge as the other two boots do at the Branding Iron Western Store. Rodeo cowboys prefer boots with a spur ledge above the heel and leather soles. Bull riders prefer angled, sharper spurs while bronco riders don't need as much angle and have more blunt spurs.


Rodeo gear is displayed at the Branding Iron Western Store.
 

Wednesday, November 01, 2006

Hardin County floods


Photos by Mark M. Hancock / © The Beaumont Enterprise

Roxie, a 7-year-old rottweiler and German shepherd mix, protects the Ashworth residence in the Rose Hill Acres community on Sunday, Oct. 22, 2006. The bayous and rivers flooded several Hardin County neighborhoods as the previous week's rains pushed south.


Don Ashworth (left) explains flood patterns to friends Wanda and Ellis Brumbeloe in the Rose Hill Acres community. The Brumbeloes brought stew for Ashworth when they heard about his house flooding.


Don Ashworth sloshes into his home in the Rose Hill Acres community. He placed his prized motorcycles safely on a trailer to protect them from the flood that took his garage.


A goose and duck paddle over Neel Avenue in a flooded neighborhood in the Artesian Acres community.


Lumberton residents Greg Lewis (left) and Bobby Sanders (right) check on friends on a flooded street in the Artesian Acres community.

The duck and goose were swimming through about six feet of water over a city street. My waders let me get into water about five feet deep. I was cool wading around chest high until I saw these hors d'oeuvres du gator.