American Indian artifacts are displayed at the Fort Worth Museum of Science and History in Fort Worth on Saturday, Aug. 7, 2010.
Photos © Mark M. Hancock / DFWmark.com
Artifacts are displayed in the permanent DinoLabs, Cattle Raisers Museum exhibits as well as the special Native American history display at the Fort Worth Museum of Science and History in Fort Worth on Saturday, Aug. 7, 2010.
YouTube version of this slideshow with music composed in GarageBand by Mark M. Hancock. Please set your viewer quality to 1080p.
Showing posts with label American Indian. Show all posts
Showing posts with label American Indian. Show all posts
Sunday, July 01, 2012
Monday, November 10, 2008
Steve Denson recruits diversity

Steve Denson, director of diversity and lecturer for Southern Methodist University's Cox School of Business, poses for a portrait at the university in Dallas on Tuesday, July 15, 2008.
photos © Mark M. Hancock / DFWmark.com

Steve Denson poses for a portrait. Companies have offered starting salaries to qualified minority MBA graduates in the range of $80,000 to $120,000. Still, American Indians comprise less than one percent of enrollment in MBA programs.

Steve Denson wears a hand-made bolo. Denson is a member of the Chickasaw Nation of American Indians.

Steve Denson, director of diversity and lecturer for Southern Methodist University's Cox School of Business, poses for a portrait at the university in Dallas. Denson is authorized to aggressively recruit minorities for the university's MBA program.
To learn more about the project, please read the MBA success story of Peter Patnaude.
Labels:
American Indian,
business,
Dallas,
education,
portrait
Sunday, October 07, 2007
Atackata Tribe representative

Mark M. Hancock / © The Beaumont Enterprise
Janice Shuff of the Atackata Tribe prepares before the Honoring Our Heros program and continuation of Vidor's Centennial celebration at the First Pentecostal Church in Vidor on Saturday, Sept. 8, 2007.
Labels:
American Indian,
annual,
general news,
Vidor
Monday, September 10, 2007
Alabama-Coushatta Tribe 39th Annual Pow Wow
© Mark M. Hancock / DFWmark.com
American Indians from across the country gathered in their finest regalia at the Alabama-Coushatta reservation on the first weekend in June to dance, sing, drum and reunite. The Alabama-Coushatta Tribe 39th Annual Pow Wow invited guests to reconnect to the proud heritage of this land and its people.
The volume is a bit loud. :-)
 
Tuesday, January 30, 2007
Children's Pow Wow

Shiloh Battise, 6, of the Alabama-Coushatta tribe dances during the 9th annual Alabama-Coushatta Children's Pow Wow at the Alabama-Coushatta Multi-Purpose Center in Livingston on Saturday, Jan. 27, 2007.
Photos by Mark M. Hancock / © The Beaumont Enterprise

Lyndon Langley, 16, of the Coushatta tribe from Louisiana (left) dances along with Cheyenne Bayles, 14, of the Alabama-Coushatta tribe (right) as she holds her niece Autumn Rich, 2 months, during Children's Pow Wow.


(Above) Members of the Coushatta tribe of Louisiana drum during the Children's Pow Wow.
(right) Nikki Baker, 15, of the Mandan-Hidatsa tribe dances during the Children's Pow Wow.


(Above)Competition dancers of numerous tribes pray together during the Children's Pow Wow.
(Right) Gabe Bullock, Head Man of the 9th annual Alabama-Coushatta Children's Pow Wow, dances during the pow wow.
Labels:
07,
American Indian,
annual,
festival,
photo story/essay
Sunday, October 29, 2006
Midway stroll

Rudy Buckley of Escanada, Mich. walks through the midway before closing day of the South Texas State Fair at Ford Park in Beaumont on Sunday, Oct. 22, 2006.
Mark M. Hancock / © The Beaumont Enterprise
Labels:
American Indian,
annual,
Beaumont,
festival,
Ford Park
Sunday, June 04, 2006
Alabama-Coushatta Tribe 38th Annual Pow Wow

Photos by Mark M. Hancock / © The Beaumont Enterprise
Competition dancers surround the color guard during the Grand Entry at the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation near Livingston on Friday, June 2, 2006.

Darrell Blackbear with the Bear Claw drum group of Dallas gives a tobacco offering on the drum before the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

The tribe's eagle staff features eagle feathers with the names of the tribe's fallen veterans during the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation near Livingston on Friday, June 2, 2006.

Sonny Blackbear (left of center) leads the song of the Bear Claw drum group from Dallas as Mel Whitebird (center in red) prepares to start the gourd dance during the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

Crystal Battise of the Alabama-Coushatta tribe gets help with preparations from her mother Missy Hawthorne (right) during the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

Angel Bullock, 8, of the Alabama-Coushatta tribe visits with guests during the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

Michael Roberts of the Choctaw Nation of Oklahoma prepares to dance during the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

Competition dancers face the color guard during the Grand Entry at the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

Competition dancers surround the color guard during the Grand Entry at the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.

Competition dancers move to the arena during the Alabama-Coushatta Tribe 38th Annual Pow Wow on the Alabama-Coushatta reservation.
Award winner:   2nd Place, Photo Essay, Press Club of Southeast Texas, Excellence in Media Awards
Please read "A heartbeat and a blessing" by Mark M. Hancock.
Please also see Fayrouz's images.
 
Labels:
06,
American Indian,
annual,
award winner,
festival,
photo story/essay
A heartbeat and a blessing
by Mark M. Hancock / The Beaumont Enterprise
American Indians from across the country gathered in their finest regalia at the Alabama-Coushatta reservation this weekend to dance, sing, drum and reunite. The 38th annual Alabama-Coushatta Tribe Pow Wow invited guests to reconnect to the proud heritage of this land and its people.
As with everything organic, the powwow starts with a heartbeat.
"The drum is like the heartbeat of our people," said Sonny Blackbear, head singer of the Bear Claw drum group from Dallas. "This drum is a blessing to our people. We treat it with respect when we sit around this drum."
The Bear Claw drum group is mostly composed of Kiowa and Comanche tribe members. Sonny Blackbear's father, Darrell Blackbear, is Kiowa/Apache and a member of the drum group, which was designated as the Host Southern Drum group.
"At most powwows nowadays in the southern part of the country, you start your powwow off with a gourd dance session," said Darrell Blackbear. "The gourd dance is holistic to the Kiowa people. We like to think it blesses the whole arena and the powwow. I like to think that's why we start off with the gourd dance. It's like a blessing."
The gourd dance is facilitated by Port Arthur business owner Mel Whitebird of the Southern Cheyenne tribe.
"The gourd dance is a warrior's dance," he said. "It started among the Plains tribes hundreds of years ago. It evolved into the 21st Century. The warriors we have today are veterans - they're our modern-day warriors. It's a very popular dance and it's branched out nationwide."
The spiritual dance is popular with all tribes because it honors the American Indian warrior.
"The warrior in a tribe is the highest honor that anyone can attain. So, we always honor our veterans during every powwow," Whitebird said.
The gourd dance is a slow dance. It's conducted by intertribal military veterans. During the dance, men shake custom rattles made of gourds or metal and filled with seeds or marbles.
After the gourd dance, all competitors prepare for the Grand Entry.
As dancers gather outside the arena, the tribe's eagle staff is brought forward. It serves as the flag for American Indians. Light gleams on the eagle talons as they stretch for the sky in the thick, green forest. The eagle's outstretched claw is attached to a 5-foot staff and is surrounded with elaborate beadwork representing the American flag. Below the claw on the tribe's staff are eagle feathers with the names of the tribe's fallen veterans.
Warriors also lead the Grand Entry.
"When the Grand Entry comes in, leading the Grand Entry will be the American colors. We believe it's still our country, and we'll fight for it. We serve in large numbers. We are very, very patriotic people," Whitebird said.
Harold Rogers is the arena director. He helps run the arena during the contest. He is the liaison for the master of ceremonies, dancers, drummers and the powwow committee. He said there are more than 500 tribes and each conducts powwows differently.
"There are many different kinds of powwows. There's contest powwows. There's social benefit powwows, where there's no dancing at all. There's the traditional powwow, where there's just specific dance styles," Rogers said.
There are many versions of how powwows began. However, they are now popular tribal events which facilitate family reunions, dance competitions and an informal dating service.
"A powwow, in general, is a celebration. Not only will you see contest dancing, you'll have singing from drum groups from throughout the United States and Canada as well as good intertribal dancing, where we ask all the dancers with many different dance styles just to come out. They have a good time. We'll have some social dancing, where we'll ask the general audience to participate," Rogers said.
Competitors get points for dancing during specific songs as well as during intertribal dances, where anyone can participate and regalia isn't required. There are four competitive dance styles for men and four for women. Each style is broken down into contest categories by age. After each dance, points are awarded to dancers and tracked by a scorekeeper.
Pat (Helm) Poland of Conroe, Texas is one of the competitive dancers. She is Cherokee/Comanche, and her mother is a descendant of Quanta Parker.
"I compete in the dance contest," she said. "I'm Southern Cloth. Because of my age, I'm Golden Age, which is anybody 55 and up."
Judges watch the dancers for timing and missteps. However, participation is the most important quality as dancers get points for participation in each included dance. Pow wow winners have acquired the most points throughout the weekend. With thousands of dollars riding on the final score, each point is literally valuable.
"If they call for an Indian Two-Step, which is the only time that a man and woman dance together, some tribes will count points [and] some tribes won't."
Officials announce which dances are for points.
"If it counts points, you better, as a woman, go grab somebody because it's a woman's choice. The woman has to get up and go get a man. If a man refuses, [the man must] pay [the woman] $5," Poland said.
She learned the steps by attending dances and having friends teach her the dances.
"A lot of these dancers here have been dancing since they were babies. I've seen them not even be able to walk and their mamas take them into the ring."
She said the tribe holds monthly benefit powwows from November until their large annual pow wow. Then, dancers follow the Red Road, the powwow circuit, north to cooler climates.
"It makes no sense to dance in Texas in July and August. Then, you'll have powwows up north."
Tribes north of Texas have their annual powwows through the summer and into the fall. Afterward, the local benefit powwows begin anew at the Alabama-Coushatta reservations.
At all powwows, all activity begins and ends with the drumbeat. The drum itself is made from a hollowed tree trunk. Hides are stretched over the top and bottom and tied with wet leather then dried. When a drum is constructed, it's made with sweat and prayers.
"The longer you sing with [the drum] and the more powwows you go to and the more dances you go to, the more medicine - blessings - come with the drum," said Sonny Blackbear. "This is a very old drum. We call it 'Grandpa.'"
He said the drum beat tempo mimics a heart beat. For slower songs, the beat is steady. For fancy war songs, the beat races like a warrior in battle.
"After sitting around this drum, we become brothers at this drum. We all become in sync with each other. Over the years, we become real tight with each other. Now, when we swing our stick, it sounds like one stick. When we sing with our voices, it sounds like one voice."
The National Championship Pow Wow will be held Sept. 8 - 10, 2006 at Traders Village in Grand Prairie, Texas.
The Austin Pow Wow is held on the 1st Saturday of November at the Tony Burger Center in Austin.
Please also see the photo story "38th annual Alabama-Coushatta Tribe Pow Wow" by Mark M. Hancock.
American Indians from across the country gathered in their finest regalia at the Alabama-Coushatta reservation this weekend to dance, sing, drum and reunite. The 38th annual Alabama-Coushatta Tribe Pow Wow invited guests to reconnect to the proud heritage of this land and its people.
As with everything organic, the powwow starts with a heartbeat.
"The drum is like the heartbeat of our people," said Sonny Blackbear, head singer of the Bear Claw drum group from Dallas. "This drum is a blessing to our people. We treat it with respect when we sit around this drum."
The Bear Claw drum group is mostly composed of Kiowa and Comanche tribe members. Sonny Blackbear's father, Darrell Blackbear, is Kiowa/Apache and a member of the drum group, which was designated as the Host Southern Drum group.
"At most powwows nowadays in the southern part of the country, you start your powwow off with a gourd dance session," said Darrell Blackbear. "The gourd dance is holistic to the Kiowa people. We like to think it blesses the whole arena and the powwow. I like to think that's why we start off with the gourd dance. It's like a blessing."
The gourd dance is facilitated by Port Arthur business owner Mel Whitebird of the Southern Cheyenne tribe.
"The gourd dance is a warrior's dance," he said. "It started among the Plains tribes hundreds of years ago. It evolved into the 21st Century. The warriors we have today are veterans - they're our modern-day warriors. It's a very popular dance and it's branched out nationwide."
The spiritual dance is popular with all tribes because it honors the American Indian warrior.
"The warrior in a tribe is the highest honor that anyone can attain. So, we always honor our veterans during every powwow," Whitebird said.
The gourd dance is a slow dance. It's conducted by intertribal military veterans. During the dance, men shake custom rattles made of gourds or metal and filled with seeds or marbles.
After the gourd dance, all competitors prepare for the Grand Entry.
As dancers gather outside the arena, the tribe's eagle staff is brought forward. It serves as the flag for American Indians. Light gleams on the eagle talons as they stretch for the sky in the thick, green forest. The eagle's outstretched claw is attached to a 5-foot staff and is surrounded with elaborate beadwork representing the American flag. Below the claw on the tribe's staff are eagle feathers with the names of the tribe's fallen veterans.
Warriors also lead the Grand Entry.
"When the Grand Entry comes in, leading the Grand Entry will be the American colors. We believe it's still our country, and we'll fight for it. We serve in large numbers. We are very, very patriotic people," Whitebird said.
Harold Rogers is the arena director. He helps run the arena during the contest. He is the liaison for the master of ceremonies, dancers, drummers and the powwow committee. He said there are more than 500 tribes and each conducts powwows differently.
"There are many different kinds of powwows. There's contest powwows. There's social benefit powwows, where there's no dancing at all. There's the traditional powwow, where there's just specific dance styles," Rogers said.
There are many versions of how powwows began. However, they are now popular tribal events which facilitate family reunions, dance competitions and an informal dating service.
"A powwow, in general, is a celebration. Not only will you see contest dancing, you'll have singing from drum groups from throughout the United States and Canada as well as good intertribal dancing, where we ask all the dancers with many different dance styles just to come out. They have a good time. We'll have some social dancing, where we'll ask the general audience to participate," Rogers said.
Competitors get points for dancing during specific songs as well as during intertribal dances, where anyone can participate and regalia isn't required. There are four competitive dance styles for men and four for women. Each style is broken down into contest categories by age. After each dance, points are awarded to dancers and tracked by a scorekeeper.
Pat (Helm) Poland of Conroe, Texas is one of the competitive dancers. She is Cherokee/Comanche, and her mother is a descendant of Quanta Parker.
"I compete in the dance contest," she said. "I'm Southern Cloth. Because of my age, I'm Golden Age, which is anybody 55 and up."
Judges watch the dancers for timing and missteps. However, participation is the most important quality as dancers get points for participation in each included dance. Pow wow winners have acquired the most points throughout the weekend. With thousands of dollars riding on the final score, each point is literally valuable.
"If they call for an Indian Two-Step, which is the only time that a man and woman dance together, some tribes will count points [and] some tribes won't."
Officials announce which dances are for points.
"If it counts points, you better, as a woman, go grab somebody because it's a woman's choice. The woman has to get up and go get a man. If a man refuses, [the man must] pay [the woman] $5," Poland said.
She learned the steps by attending dances and having friends teach her the dances.
"A lot of these dancers here have been dancing since they were babies. I've seen them not even be able to walk and their mamas take them into the ring."
She said the tribe holds monthly benefit powwows from November until their large annual pow wow. Then, dancers follow the Red Road, the powwow circuit, north to cooler climates.
"It makes no sense to dance in Texas in July and August. Then, you'll have powwows up north."
Tribes north of Texas have their annual powwows through the summer and into the fall. Afterward, the local benefit powwows begin anew at the Alabama-Coushatta reservations.
At all powwows, all activity begins and ends with the drumbeat. The drum itself is made from a hollowed tree trunk. Hides are stretched over the top and bottom and tied with wet leather then dried. When a drum is constructed, it's made with sweat and prayers.
"The longer you sing with [the drum] and the more powwows you go to and the more dances you go to, the more medicine - blessings - come with the drum," said Sonny Blackbear. "This is a very old drum. We call it 'Grandpa.'"
He said the drum beat tempo mimics a heart beat. For slower songs, the beat is steady. For fancy war songs, the beat races like a warrior in battle.
"After sitting around this drum, we become brothers at this drum. We all become in sync with each other. Over the years, we become real tight with each other. Now, when we swing our stick, it sounds like one stick. When we sing with our voices, it sounds like one voice."
On the Web:
Alabama-Coushatta tribe
PowWows.com
Pow Wow introduction
Dance styles
Twin Cities public television presentation about Pow Wows
National Championship Pow Wow
Austin Pow Wow
Flying Eagle Trading Post (home of the Bear Claw drum group)
The National Championship Pow Wow will be held Sept. 8 - 10, 2006 at Traders Village in Grand Prairie, Texas.
The Austin Pow Wow is held on the 1st Saturday of November at the Tony Burger Center in Austin.
Please also see the photo story "38th annual Alabama-Coushatta Tribe Pow Wow" by Mark M. Hancock.
Labels:
American Indian,
annual,
festival,
writing
Thursday, November 24, 2005
Thanksgiving

Photos by Mark M. Hancock / © The Beaumont Enterprise
Cherise Williams, 4, (right) licks her lips as her grandmother Sarah Williams (left) prepares a turkey during Indian Day at the Indian Village Assembly of God church near the Alabama-Coushatta reservation on Sunday, Nov. 20, 2005.

Judy Williams prepares Indian fry bread during Indian Day at the Indian Village Assembly of God church near the Alabama-Coushatta reservation.

(Below) The Rev. Rudy Martinez keeps an eye on everyone as he gets food during Indian Day at the Indian Village Assembly of God church.


Angel Beene (right) feeds her son Seth Williams, 21 months, (left) during Indian Day at the Indian Village Assembly of God church near the Alabama-Coushatta reservation.

Church attendees share a meal during Indian Day at the Indian Village Assembly of God church.

Church members sing gospel songs in the sanctuary during Indian Day at the Indian Village Assembly of God church near the Alabama-Coushatta reservation.
Please also see my Thanksgiving story and Fayrouz's take on the event on her blog.
Labels:
05,
American Indian,
annual,
holiday,
religion
Saturday, September 06, 2003
National Championship Pow Wow

Sammy White (right) dances with other competitors during the 41st annual National Championship Pow Wow at Traders Village in Grand Prairie on Saturday, September 6, 2003.
Mark M. Hancock / © The Dallas Morning News
Labels:
American Indian,
annual,
Grand Prairie,
pro,
Tarrant County
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