Friday, September 22, 2006

Brazilian Jui Jitsu


Photos by Mark M. Hancock / © The Beaumont Enterprise
Danean Sonnier of Orange (top) tightens a debilitating hold onto classmate Dennis Shaeffer of Beaumont (bottom) during a class at Golden Triangle Brazilian Jiu Jitsu in Port Neches on Wednesday, Sept. 6, 2006.


Rocky Russell of Port Neches (top, right) practices a choke technique on classmate Casey Davis of Groves (bottom, right) during a Brazilian Jiu Jitsu class.

Rocky Russell of Port Neches (top) practices a maneuver on classmate Sean Farshad of Beaumont (bottom) during a class. The ground-fighting martial arts form was made popular by its success in Ultimate Fighting Championship competitions.


Instructor Patrick Head (left) coaches as Dennis Shaeffer of Beaumont (top) practices a technique against Rocky Russell of Port Neches (bottom) during a class at Golden Triangle Brazilian Jiu Jitsu in Port Neches.
 

Thursday, September 21, 2006

Decision time


Mark M. Hancock / © The Beaumont Enterprise
Nederland High School's Travis Dabel (No. 40, top) reads an offensive play to determine his action during practice in the school's gym in Nederland on Monday, Sept. 11, 2006.

Please read "Read and react: Linebackers can win or lose a play in split second after snap" by Perryn Keys for more information.
Enough for now,
 

Wednesday, September 20, 2006

Vidor FD post-Rita


Mark M. Hancock / © The Beaumont Enterprise
Firefighter/EMT Jared Sampson (left) and Capt. Franklin Walters (right) clean bugs off an ambulance at the Vidor Fire Department area in Vidor on Wednesday, September 13. A tree crushed the Vidor Fire Station during Hurricane Rita. Emergency personnel are now stationed in a mobile home on the property.
 

Tuesday, September 19, 2006

Silver Stepper


Silver Steppers lieutenant Chelsea Parks performs during the Central High School's Alma Mater before a football game against West Brook High School at Lamar University in Beaumont Friday, Sept. 8, 2006.

Mark M. Hancock / © The Beaumont Enterprise

Monday, September 18, 2006

Silsbee Cruise


Mark M. Hancock / © The Beaumont Enterprise
Pattie (left) and Vernon Russell of Vidor line up their 1923 T-Bucket for the car parade during the Cruise-N-Silsbee on Saturday, Sept. 9, 2006. The cruise, which features classic and custom cars and trucks, continues on Sunday.
Enough for now,
 

Saturday, September 16, 2006

Remembering China's children

A wreath was placed on a live oak tree before a tree planting ceremony at Chucky Seaman Memorial Park across the street from China Elementary School in China on Thursday, Sept. 7, 2006. The tree was planted in remembrance of 11-year-old Nathen Lawrence Jennings and his 7-year-old sister, Carmen Leigh Jennings, who were murdered by her father June 30, 2006.

Photos by Mark M. Hancock / © The Beaumont Enterprise



Cub Scout assistant pack leader Steven Hardt (left) helps his son Wyatt Hardt, 9, (right) post an U.S. flag during a tree planting ceremony at Chucky Seaman Memorial Park in China.


Students add cups of dirt around a tree during a tree planting ceremony at Chucky Seaman Memorial Park. The 8-year-old, 15-foot-tall tree could live for more than 1,000 years as a memorial to the slain children.

For more information, please read "China classmates plant memories of slain friends" by Colin McDonald.
Enough for now,
 

Championship spike


Mark M. Hancock / © The Beaumont Enterprise
Ozen's Jerlessa King (No. 15, left) spikes a ball past Little Cypress-Mauriceville's Tiara Lexie (No. 10, right) during the YMBL Volleyball Tournament championship at West Brook High School on Saturday, Sept. 9, 2006. Ozen won the championship game.

Friday, September 15, 2006

Seafarers' Center


Photos by Mark M. Hancock / © The Beaumont Enterprise
Eugene Madeja of the Philippines (left) talks on the phone while Avinash Jernandes of India (right) communicates via e-mail at the Seafarers' Center inside the Port of Beaumont in Beaumont on Thursday, Sept. 7, 2006. For security and safety reasons, Port of Beaumont commissioners would like the center moved from inside the port to an area outside the port.


The Seafarers' Center remains inside the Port of Beaumont. The center provides services and protection for visiting sailors. Volunteers are needed to help sailors while staff transport sailors from the port to area shopping locations or for medical or legal help.


Chaplain Bill Peterson poses for a portrait in the chapel at the Seafarers' Center inside the Port of Beaumont. Although he likes being accessible to sailors within the port, he said a more visible location would help the center raise funds.


Currency from around the world is posted at the Seafarers' Center inside the Port of Beaumont. The center also has a small snack bar with mostly empty shelves because the income has been used to support the center.


Sherwin F. Batayola of the Philippines watches TV in the recreation room at the Seafarers' Center inside the Port of Beaumont. Since security has been tightened on all ports, the center has had difficulty recruiting volunteers and raising funds.

Donations for the center can be delivered to the front gate at the Port of Beaumont. Video tapes (of TV in particular) and DVDs are greatly appreciated as are reading materials in any language. Of keen interest are any magazines with recipes as well as fishing and outdoor lifestyle magazines.

Fayrouz and I dropped off a box of books and magazines today. The Port Authority Police officer was thankful and courteous.

Anyone wanting to volunteer time needs to have an absolutely clean background and expect to have some difficulties entering and exiting the port area.

To learn more about the center, please read "Beaumont facility that serves sailors facing new start" by Mike D. Smith.
 

Thursday, September 14, 2006

Young Cardinals


Mark M. Hancock / © The Beaumont Enterprise
Nina Victores of Beaumont (left) and Simone White of Austin (right), both 15, pose for a portrait at Lamar University in Beaumont on Wednesday, Aug. 31, 2006. The freshman pre-med students are part of the Lamar Texas Academy of Leadership in Humanities program, which allows them to complete their high school education while acquiring university credits.
 

Wednesday, September 13, 2006

Central leaps for yards


Central's quarterback Brandon Williams (No. 5, center) tries to leap past West Brook's Kenny Allen (No. 80, left) and Billy Chavis (No. 10, right) during a high school football game at Lamar University in Beaumont Friday, Sept. 8, 2006.

Mark M. Hancock / © The Beaumont Enterprise
 

Tuesday, September 12, 2006

Prostate cancer survivor


Mark M. Hancock / © The Beaumont Enterprise
Donald H. Taft (right) and his wife Stella Taft (left) clean the kitchen of their home in Beaumont on Saturday, Sept. 2, 2006. Taft is a prostate cancer survivor. He is also a parachuter and runner. He encourages men to have regular prostate screenings to catch the disease early.
 

Monday, September 11, 2006

St. Anthony Jubilee


Photos by Mark M. Hancock / © The Beaumont Enterprise
Archbishop Emeritus Joseph A. Fiorenza of the Archdiocese of Galveston-Houston (left) observes as Diocese of Beaumont Bishop Curtis J. Guillory (right) signs the Jubilee Year proclamation at St. Anthony Cathedral Basilica in Beaumont on Sunday, Sept. 10, 2006. Archbishop Emeritus Fiorenza is originally from Beaumont.


Parishioners stand during mass at St. Anthony Cathedral Basilica in Beaumont. The mass celebrated the 100th anniversary of the Cathedral, the 40th anniversary of the Beaumont Diocese, the elevation of the cathedral to minor basilica and commemorated the 5th anniversary of the Sept. 11 attacks.


Diocese of Beaumont Bishop Curtis J. Guillory delivers the homily at St. Anthony Cathedral Basilica.
 

Sunday, September 10, 2006

Monsters invade Ford Park


Photos by Mark M. Hancock / © The Beaumont Enterprise
"Draco," the world's largest fire-breathing dragon robot, waits for a show at Ford Park in Beaumont Friday, Sept. 8, 2006. The Extreme Monster Truck Nationals continues at Ford Park on Sunday at 2 p.m. The show features monster truck competitions, free-style Motocross and "Draco."


Driver Jim Koehler of Columbus, Mich. poses for a portrait with "Avenger," his Chevy-bodied monster truck, at Ford Park.
 

Denis Delestrac

Denis Delestrac was born in Villeneuve-sur-Lot, in southwestern France on August 14, 1968. He is known for his works in social justice documentary filmmaking.

Delestrac resides in Barcelona, Spain with his wife Gemma and has no children. He is currently a professional film director and scriptwriter.

Delestrac graduated from the Toulouse Law University and the National School of Broadcast Journalism in France before leaving for New York. There, he bought his first camera. Later, he put it into action as a staff photojournalist while attending Richland College in Dallas.

He has worked as a photojournalist, staff writer and managing editor for several daily and monthly publications in the U.S., France (Le Monde) and Spain. He also co-wrote the book "The Future Society" with intellectual Noam Chomsky.

Many of the films in which he participated have won major international awards. He shot the most attended IMAX film of the decade, "Mystery of the Nile." He also worked extensively on "Nomads of the Human Condition," a 13-segment documentary series about modern day nomads and the human aspect of globalization. The series was shot on five continents. His IMAX film, "Arabia," is currently in development along with others.

Additional images can be seen at www.delestrac.com or www.orbitamax.com.

Please read Denis' interview.

Enough for now,
 

Ask a question:   Denis Delestrac

Ever wanted advice from an IMAX director? Well, here's your chance. Denis Delestrac has agreed to an interview.

Leave your questions in the comment section or drop me an e-mail. I plan on asking the standard questions, but this is a chance for y'all to ask a specific question and get a specific answer.

Please leave your questions by Saturday, Sept. 16, 2006. Please see other interviews with previous award winners for example questions.

Enough for now,
 

Saturday, September 09, 2006

Club Salsa


Salsa instructor Amber Ambrose demonstrates dance steps during Club Salsa dance lessons at Antone's in the Crockett Street Entertainment District of Beaumont on Friday, Aug. 18, 2006.

Photos by Mark M. Hancock / © The Beaumont Enterprise


Salsa instructor Gordon Williams (right) leads a group during Club Salsa dance lessons at Antone's in the Crockett Street Entertainment District.


Salsa instructor Amber Ambrose demonstrates a spin for attendees during Club Salsa dance lessons at Antone's. The salsa classes are held monthly in conjunction with live Salsa music featuring mostly Houston-based bands.


Beaumont residents Johnnie Stewart (front, left) and Lidia Pico (front, right) look up for guidance during Club Salsa dance lessons at Antone's.


Beaumont residents Dennis Webb (left) and Jennifer Ravey (right) practice turns during Club Salsa dance lessons at Antone's. Dance lessons are free with paid admission to see the live Salsa bands. Classes begin at 8 p.m. and the band starts around 10 p.m.
 

Friday, September 08, 2006

Crabbing on Pleasure Island


Mitchell White casts a crab net to catch blue crabs on Pleasure Island in Port Arthur on Wednesday, Aug. 30, 2006.


Janice Comeaux (left) and Jonathan Sutton (right) catch a blue crab on Pleasure Island.

Photos by Mark M. Hancock / © The Beaumont Enterprise


Jonathan Sutton tries to untangle an angry blue crab from his net on Pleasure Island.

Develop a personal code of freebie ethics

PJs must develop their own personal code of ethics about freebies (food, promotional items and other gifts). Each code is as unique as each PJ. Most personal codes fit within the NPPA code of ethics. Others don't.

Often, an employer dictates acceptable practices of its employees. These guidelines are located in the employee manual or are explained to new hires. Freelancers must often adjust their practices per client.

In every case, these are minimum ethical boundaries. If PJs choose to operate with a much higher boundary, they can. High ethical behavior easily falls within corporate overarching guides. In the end, PJs must admire what they see in the mirror. If they don't, how could anyone else?

Personal ethical points to consider about freebies:
When should I pay for items?
When should I refuse items?
When should I accept items?
When should I donate items?
Who typically gets this item?
Who is harmed?
Who benefits?
How can I politely explain my ethical code to the subject?
Is this code reasonable?

PJs who know the answers to all these questions are in good shape. PJs who don't know the answers probably need to read this long-winded post.

Advice for amateurs
This information is meant for working pro PJs. Amateurs are welcome to do whatever they like about freebies, but it would be nice if y'all could follow these guidelines as well to take some heat off the working pros.

I'm too strict
Folks who've read "What is a PJ?" know I don't accept anything other than paperwork and access on assignments. This is my personal policy and is in keeping with the NPPA code of ethics. However, my personal code is probably too strict. Consequently, I don't expect other PJs to follow this example. But, I do expect some restraint.

For complete disclosure, I did accept a cup of coffee during a frozen playoff football game and a bottle of water during a S.W.A.T. standoff early in my career. I tried to pay for them, but neither would accept the money. So, there are my violations. I still feel bad about them.

Cultural norms
Yes, there are extreme cases where someone might want something (a flattering story, a biz plug, whatever) in exchange for kindness, but - at least in the South - folks frequently offer refreshments to anyone invited into a home or business. It's part of the culture.

We offer water and lemonade to the postal carriers, we offer a soda to the cable installer, etc. It's considered proper etiquette.

This is common in other cultures throughout the world as well. In many cultures, it's considered an insult to turn down these kind offers. However, if we can honestly say we never accept anything, it negates most perceptions of being slighted.

Why not accept freebies?
I'm often offered freebies at the events while on duty. I politely thank the person offering and decline. Sometimes they'll insist. Then, I politely say, "I'm not allowed."

If they're really persistent, I'll explain that I don't accept anything but access and paperwork because it has to do with a code of ethics. I often follow this up by explaining that Americans eat as much during one meal as an entire overseas family. If we're in the habit of accepting food in America, we might do so overseas and inadvertently leave a family without food because of their generosity.

Almost everyone accepts this explanation.

Although this is true, it sidesteps the real reason many of us don't accept anything. PJs are workers. We aren't guests. Furthermore, we would rarely be at these locations if we weren't working. Consequently, we wouldn't be offered treats if we weren't PJs.

The underlying issue is that if we wish to be a "fly on the wall," we can't be a fly at the table. The camera may have been invited to the event - not the particular person holding the camera. If the PJ is holding a sandwich instead of a camera, not much work is being done. This defeats the entire purpose of the PJ being at the location.

Pay for food
When PJs are on assignment, they pay for food. Technically, the publisher pays. Staffers turn in receipts after paying and are reimbursed. All legitimate newspapers reimburse editorial staff members for work-related meals. If a receipt is turned in, the company writes off the meal on its taxes. It's part of the biz.

If a PJ is famished and must eat (after shooting), do so. But, pay for it and get a receipt. However, know the exact company policy to guaranty reimbursement.

For young PJs, this can be a hardship. New PJs are notoriously underpaid. Consequently, they frequently don't have the cash for the meal, nor the time to wait for reimbursement. In either case, it's simply easier to decline to eat.

Freelancers sometimes get reimbursed. More often, the cost is passed along to the client through the PJ's fee and the freelance PJ takes the deduction at the end of the year.

What if they won't accept payment?
Offer to pay before accepting anything. If the host won't accept payment, explain the company's policy ("I'll get reimbursed") or very politely decline.

This plan, unfortunately, creates a perception problem in some cultures. Basically, the PJ could appear arrogant by offering to pay. Then, the PJ could appear more arrogant by refusing afterward. It's a lose/lose situation, which could have been avoided if the PJ wasn't tempted to accept anything while on assignment or completely understands the culture being covered.

What about other gifts?
Other gifts have the same problems. It's simply easiest to decline everything, but some PJs might offer to purchase some gifts/products.

Although it's easy to say turn it down, some subjects can make it tough. The following is my toughest example.

Large media outlets send their employees to the Olympics with pins to exchange and present to other folks. These pins create good will and possibly generate some brand recognition. All major newspaper and television shooters fill their pockets with these pins and hand them out freely.

Many years ago, I photographed a retired television innovator. He won many Emmy Awards for his technical wizardry during every televised Olympic for decades. As such, he had large boxes of every company pin from the time television began covering the Olympics.

He offered me one of each.

To this day, it was the hardest gift to turn down. I would have absolutely loved to have those pins. However, if I wasn't there to make a portrait, he wouldn't have offered the pins to me.

Yes, I could have easily rationalized accepting the pins. But, I don't feel bad for declining. OK, maybe a little bad, but I can sleep at night.

A reasonable guide
We've already established my code is too extreme. So, what's a reasonable guideline?

Most publications are OK with the $10 rule. If the gift or meal costs less than $10, it's fine to accept it. This is considered a token amount. Nobody could expect some concession from a working journalist in return for such a small amount.

I was discussing this recently with a co-worker. At a previous job in Washington D.C., her editor asked if her integrity could be purchased with a $5 bagel. She said no. The editor told her it was OK for her to eat a bagel then.

Access exceptions
PJs need access and information. If we can't see something, we can't shoot it. So, access is a legitimate request.

Although we've established folks don't typically expect anything in return for a token offer, some folks have no problem trying to get concessions via an access ploy. If an event organizer charges $11 for a ticket, then - this ploy holds - PJs have broken the $10 rule and should give free prints or some other concession.

The problem with this ploy is simple. Access costs the event organizer nothing extra for the PJ to be present. No merchandise or raw materials change hands. If the event organizer doesn't want to allow access without charge, the event won't be covered. End of story.

However, some organizers still push for some concession - particularly if access is granted to a concert where tickets cost more than $200. The rebuttal is equally easy. A publication pays about $400 for each shoot a PJ does (calculate pay, mileage, insurance, support staff, etc.). In other words, the publication is paying more than the entry fee to acquire images for its readers/viewers. Also, PJs are only there for the first two songs. This is yet another reason to never sign access contracts.

Paid admission
Most working pros don't pay admission to events. We are there to photograph the event for a publication and leave.

However, sometimes we're required to pay for access to events. In these cases, PJs have the same rights as all other paying guests. If other paying guests get free food or gifts as part of their admission cost, so could the PJ.

However, it's still probably best to apply normal operating ethics in these circumstances. Although the PJ is completely justified in accepting the same benefits as other patrons, some observers may get the wrong perception because they don't know the PJ paid admission. Consequently, observers might think PJs got in free and are gobbling up all the shrimp (or whatever) for free. It's not true, but it isn't the perception PJs want readers to have.

Review materials
Although a book, CD or video might seem like a gift, publicity agents provide these as access for reviewers. If a reviewer doesn't have access to the book, they won't review it unless the book is of personal interest to the reviewer. A book titled "Crochet for Kittens" wouldn't be high on anyone's "must read" list.

After the review, some publications immediately donate these items to public libraries. However, most pubs come to reasonable compromises.

The most common compromise allows the reviewer to keep the reviewed item in exchange for the work of the reviewer. It's considered motivation to provide content. The second most common compromise is a company auction or sale of review items to raise funds for charity (this often happens around the winter holidays).

Unsolicited gifts
Occasionally, folks mail or courier gifts to PJs. This creates problems because there's no way to refuse the gift (we don't know what's in the pouch or box until it's open).

Typically, if the gift falls under the $10 limit, most PJs can keep the gift (think candy or promotional products). If the gift is outrageous (think jewelry), it should be returned. Most newspapers pay to return such gifts - no matter its value.

Ironically, since the anthrax murders several years ago, most packages and envelopes are initially opened by mailroom personnel offsite. If jewelry did fall from a package, I honestly wouldn't expect it to make it to the newsroom. ;-}

Newspapers also allow these unsolicited gifts to be donated to charity. Since the PJ isn't keeping it, it's simply a gift from the donor to a women's shelter or an orphanage. Often, publications have a collection box for such items and deliver them around holidays.

What if a client offers freebies?
On special nights (elections, holidays, etc.), newsroom managers often provide catered meals or pizza. Staff and freelance PJs are often invited to partake. Then, they descend like locusts and devour everything in site. This is considered part of a PJ's payment because the company paid for the food.

Feel free to indulge in anything offered by an employing media company and/or active client. If a client offers food or other gifts, these are considered payment. If a PJ is doing a freelance food photography gig and the client offers a snack during the shoot, have at it.

Sometimes PJs meet with clients (or art buyers) to finalize a purchase. If the client offers to pick up the tab for the meal, let them. As in all the cases above, the meal is part of the purchase price. The final tab for a one-year lease of an image is $1,200, a hamburger, fries and a beer.

Likewise, when a PJ is hired as a consultant or voluntarily mentors another photographer, this is considered a client/provider relationship. The PJ is the information provider while the receiver of the information is the client. So, PJs in this situation can accept a burger, beer or payment.

Gifts are the same. Keep the toys, T-shirts and other promotional items. Your client wants to get their name in front of the public. If a client wants to give a shooter a shiny new car (don't expect it), smile, say thanks and take the keys. It's all part of payment.

But wait a minute, who paid for the car? If it's the client, the car is yours. If it's a car dealer, hand back the keys (see below). Darn.

Does this include the ad department?
Depending on the size of a publication, PJs are often invited to advertising department functions. Although a fine spread may be offered at these events, it's important to find out who paid for the food. If it was provided by the company, I walk away full. If it was provided by ad clients, I'll normally pass.

Even though the food is in the building, how it got there is important. On the SE Texas wineries shoot, I gobbled up some fruit when I was done (the company paid for it). However, all the wines were returned to the ad department (wines were not purchased by the company).

I suppose other PJs might have considered the wines "access." As I said, my personal code is too strict - particularly since I love wine.

Gray areas
As with most things in life, there isn't a black and white answer to ethical decisions. PJs must live with their own personal code. However, if there is no way to justify your actions other than personal benefit, it's probably wrong.

It's wise to ask other PJs or professors for guidance or explanation before being placed in these situations. Otherwise, the PJ doesn't know what to do and could make a regrettable mistake.

One problem area for me early in my career was restaurant reviews. The idea of asking folks to prepare a $50 dish for a photo seemed wrong. However, it falls under "access." The restaurant's participation is completely voluntary. They could say no to the presentation and PJs simply shoot the building exterior and are on their way.

In other words, it's to the restaurant's advantage to provide the plated meal for the photo. They more than make up the cost of the meal with the publicity a fine food photo provides. Additionally, either a restaurant guest or worker gets an entree or appetizer on the house.

The PJ shoots the meal and returns it. What happens to the meal afterward isn't the PJ's concern.

However, this approach can also backfire. I had a shoot where eye protection was required to get onto the shop floor. The company provided safety glasses so I could complete the shoot. When I tried to return the glasses, I was told to keep them because nobody would wear used glasses (each day all workers get new glasses).

Again, I tried to return the glasses. The floor manager said it's OK to keep them because they only cost $1.99. On my way out, I gave $2 to the office secretary for the glasses. Now I have safety glasses and won't need to pay next time.

The point is that sometimes PJs must pay for things they don't particularly want and claim the expense when they get back to the office. It's often means unwanted paperwork, but PJs walk away with their ethical code upheld.

Collecting "trash"
During parades and similar events. Float riders typically pitch candy and trinkets to the crowd along the route. Being large targets, PJs typically have more than a customary amount of erasers, beads and hard candy thrown at them by varsity baseball pitchers.

Typically, I try to dodge the projectiles and shoot the parade. If some beads get caught on my camera strap, I'll hand them to the closest small kid. However, when I'm walking back to my car along the parade route, I'll encounter leftovers from the parade in the grass or dangling from bushes.

After the first parade, I left these items since I "wasn't there." However, all it took was seeing a street cleaner suck all the extra beads, candy and coins into the trash before I realized I'd actually be doing more good than harm by collecting rejected "trash" along the route. So, if a PJ sees some beads or other parade favors on their way to the car, it's best to find a kid for it, but it's also OK to keep the "trash."

Be reasonable
If a family member, friend or peer offers a PJ a gift, they (probably) don't expect anything in return. These gifts and countless other promotional products are offered to the person who happens to be a PJ - not vice versa.

The key to this situation is defining who are the PJ's friends and relatives. It sounds easy enough. A pleasant PJ might think, "Everyone I meet is my friend." That's nice, but it's not practical.

Locally, I define "friend" as anyone who has invited me to their home for a party (without the camera), or I've invited to my home. I define "relative" out to one generation (cousins and closer). Peers are anyone in the industry.

If most PJs stick with this, they'll be fine (unfortunately, they may realize how few friends they actually have). If any of these folks offer a gift, it's fine to accept in most cases.

Define "off duty"
Unless PJs are at a huge paper or magazine, they're never completely "off duty." However, there needs to be some reasonable limits. Without limits, PJs essentially surrender all the rights and liberties they protect. Not good.

The two best ways to determine "off duty" are time of day and location. If it's 3 a.m. and the PJ's shift ended at 8 p.m., s/he's off duty. If PJs go into a grocery store without their cameras to purchase a soda, they're off duty.

This may sound like nitpicking, but consider the following scenario:   A PJ goes into a grocery store for a soda. They see the freebie cookies every shopper is offered. They can have one. Then, the office calls and says they need a photo of the cookie baker. The PJ returns to the car, grabs the rig and goes into the store to get images. This time, the PJ can't eat any cookies because they are working.

The obvious loophole could be easily exploited. Take the shot, drop the rig in the car and return for cookies. This is ethically lame.

In these cases, I use a 24-hour rule. Once I've shot somewhere, I leave for 24 hours before I can return to the shop and be considered "off duty."

Admittedly, there are times this really sucks. A gas company handed out free $10 gas cards to folks in hurricane-affected areas. The people handing out the cards were giving them to everyone who strolled past.

I'm a resident in the area, so I could have gotten one. However, I was working, so I couldn't. Some PJs could've used the loophole. They could've gotten the card and THEN gotten their rig. Again, my code is too strict.

Avoiding harm
Most religions have some version of "An it harm none, do as ye will" or "Do unto others as you would have done to you." This is good, general advice.

PJs are often placed in areas where their actions may create unknown harm to others. If we eat a meal, will others do without? If we accept a gift, will the subject go out of business? Although these questions are more akin to The Butterfly Effect, they are questions PJs must answer before they are placed in these situations.

This issue becomes the sharpest thorn while covering criminal cases. Since we are only discussing gifts today, let's table the criminal discussion for another day. Instead, let's agree to say no freebie is worth inflicting harm on others.

Emergency situations
Emergency situations are by far the hardest and most critical times for a PJ to know their own code. When everything has been destroyed for miles, it's not the time for PJs to wonder about their own code of ethics.

Governmental agencies, the Salvation Army and other charitable organizations often deploy to give help after a disaster. These entities often provide food, water, clothes, shelter and other essential survival items.

Since these are the most newsworthy events, it's reasonable to expect PJs throughout the area. Likewise, it's reasonable for PJs to possibly move from visual reporter to victim during these times.

The first ethical question in this situation is whether PJs are in the area voluntarily or reluctantly. If PJs willingly enter a natural disaster area (wildfire, hurricane, earthquake or similar emergency), they must take responsibility for their own needs before arriving.

If PJs are in the epicenter of a disaster solely as a result of geography, it's reasonable to suspend the food part of a PJ's ethical code. Delay it as long as possible, but if affected PJs need water, it's OK to accept it.

This situation highlights the ethical dilemma of disaster coverage. It also helps distinguish a PJ's role. When all essential needs are in short supply, is the PJ a parasite, provider or neutral?

Obviously, it's best to be neutral whenever possible. The PJ reports on the story without adding or taking from the area's limited supplies. If the PJ is a local resident, they're also neutral to accept supplies offered to local residents. They are as much a victim as everyone else.

However, if a PJ from some small town in North Dakota goes to Miami to cover a hurricane, they must - at the very least - be neutral or (better) provide help to anyone who needs it.

Likewise, if PJs' supplies run out, it's time to leave the disaster area. If the area is only beginning to recover, draining the recovery effort of supplies harms the community.

Personal situation
I covered hurricanes Rita and Katrina from both situations. For Rita, we were hit. For Katrina, I went to the area.

Because hurricanes give a warning, it's easier to stock up before the disaster strikes. Having done so for both hurricanes, I was able to survive and help others with any extra supplies.

I never needed or wanted to accept supplies from aid agencies. In my mind, those supplies are for the area's poorest victims. It would've been a grave disservice during Katrina. During Rita, it would've been justifiable, but I couldn't do it.

However, after the area has started to recover, it becomes important to support the local economy while on assignment. Pay and eat a meal at the local mobile cafes. The cost is written off by the PJ, but any small profit in the area allows the economy to begin moving again.

Enough for now,
 

Thursday, September 07, 2006

Cuban kayaker


Mark M. Hancock / © The Beaumont Enterprise

Ernesto "Ernie" Domenech poses for a portrait with a replica model of his Cuban kayak at his home in Silsbee on Wednesday, Aug. 23, 2006. The former Olympic-level kayaker used his skills as part of a Cuban underground movement against Fidel Castro.

Image is part of the faces of immigration series.
 

Wednesday, September 06, 2006

Space Center Houston


Photos by Mark M. Hancock / © The Beaumont Enterprise
An astronaut's uniform and propulsion device appear to fly past Earth at Space Center Houston in Clear Lake on Saturday, Aug. 26, 2006. Last week's scheduled space shuttle mission was postponed due to Hurricane Ernesto.


Guests purchase tickets as mushrooms grow outside Space Center Houston.


An extravehicular-mobility unit (EMU) features many patches at Space Center Houston.


A lunar landing craft is displayed at Space Center Houston.


Children can attend the Superhero School located at Space Center Houston.


A space shuttle engine is displayed at Space Center Houston.


Guests can see a space shuttle pilot's area in a mock bulkhead area at Space Center Houston.


(Left) An extravehicular-mobility unit (EMU) is displayed at Space Center Houston. The unit functions as a portable spacecraft for astronauts and provides them with everything they need to survive in space.


(Right) An RX-5 hard suit is displayed at Space Center Houston. The suit is designed to protect astronauts from potentially deadly consequences of space exploration by functioning as space armor.


An astronaut's uniform and propulsion device appear to fly away from a space station model at Space Center Houston.

Space shuttle Atlantis was expected to lift off Sept. 6, 2006 at 12:29 p.m. EDT. It was postponed due to a electrical short in the shuttle's fuel cell coolant motor. When it launches, the crew's mission is to carry equipment to resume assembly on the International Space Station. It's the first time they've worked on the ISS in four years.

Since the Mission Control Center is at NASA's Johnson Space Center in Houston, Fayrouz and I visited Space Center Houston to get some file photos.
 

Tuesday, September 05, 2006

Sweat and grind


Callie Hannah grinds a pipe at Way Fabricators in Port Arthur on Tuesday, Aug. 29, 2006. Although she's been a professional welder for six years, she got her associates degree in welding from LIT in 2004 and moved to her current job shortly afterward.

Mark M. Hancock / © The Beaumont Enterprise
 

Monday, September 04, 2006

Football season opener


West Brook defensive players crush Ozen's Ronnie Fontenot (No. 14) during the season-opening high school football game at Cardinal Stadium at Lamar University in Beaumont on Friday, Sept. 1, 2006.

Mark M. Hancock / © The Beaumont Enterprise

Sunday, September 03, 2006

Dreams go up in smoke


Photos by Mark M. Hancock / © The Beaumont Enterprise
Victoria Vela's toy room remains destroyed after the family's home burned in Orange on Saturday, Sept. 2, 2006. The 3-year-old kept everything from her toys to her clothes in the room.


Homeowner Hector Vela leads helpers through the charred remains of the family's kitchen after a house fire in Orange. His wife, Maria Vela, had prepared a cake for a baby shower in the kitchen on Friday night before the early-morning fire took everything on Saturday. All the gifts for the baby shower were stored in the toy room.


Salvaged photographs dry on the fence outside the Vela family's home after the house burned in Orange. Hector Vela purchased the home three years ago after living in a much smaller home next door for six years.


Hector Vela exits his burned home after a fire gutted the residence. He said the welcome sign over the doorway was painted by the previous owner.

Donations can be mailed to:
Hector Vela
1111 Main Ave.
Orange TX 77630



Please read "Dream goes up in smoke for Orange family" by Dee Dixon.
 

Saturday, September 02, 2006

Katrina family stays in Lumberton


Mark M. Hancock / © The Beaumont Enterprise
Cousins Brendel Dupree, 15; (from left to right) Brandon Dupree, 18; Racqel Novel, 12; and Brittaney Dupree, 16, share a laugh at their apartment in Lumberton on Thursday, August 24, 2006. Hurricane Katrina forced the family to leave New Orleans. While living in Southeast Texas, they were hit by Hurricane Rita. Since then, they have settled down in Lumberton and plan to stay.
 

Friday, September 01, 2006

Black Stone Cherry concert


Mark M. Hancock / © The Beaumont Enterprise

Black Stone Cherry performs during Dog Jam '06 at the Ford Pavilion on Friday, Oct. 6, 2006.

Sept. 2006 iTunes

* Lonely Train by Black Stone Cherry

* Eye in the Sky by Alan Parsons Project
* Wreck of the Edmund Fitzgerald by Gordon Lightfoot
* A Moment Like This by Kelly Clarkson
* Torn by Natalie Imbruglia
* Wannabe by Spice Girls
* Mardi Gras by Spyro Gyra
* Tom's Diner by Suzanne Vega
* Breakout by Swing Out Sister
* American Soldier by Toby Keith

Check out the iTunes samples.

Nederland fumble


Mark M. Hancock / © The Beaumont Enterprise
Nederland High School's Chris Gutierrez (No. 38, right) loses the ball as he's hit by Silsbee's Jordell Elam (No. 2, left) during a scrimmage football game against Silsbee at Bulldog Stadium in Nederland on Saturday, Aug. 19, 2006.