Showing posts with label Hurricane Katrina. Show all posts
Showing posts with label Hurricane Katrina. Show all posts

Friday, May 31, 2019

Hurricane Season Starts Tomorrow



Hurricane season starts tomorrow. If you know anyone in hurricane zones please check on them and ensure they have evacuation plans. I covered several hurricanes as a photojournalist. Although my advice in this post is mainly for other photojournalists, there's some good general information mixed in with the other info.

Saturday, September 02, 2006

Katrina family stays in Lumberton


Mark M. Hancock / © The Beaumont Enterprise
Cousins Brendel Dupree, 15; (from left to right) Brandon Dupree, 18; Racqel Novel, 12; and Brittaney Dupree, 16, share a laugh at their apartment in Lumberton on Thursday, August 24, 2006. Hurricane Katrina forced the family to leave New Orleans. While living in Southeast Texas, they were hit by Hurricane Rita. Since then, they have settled down in Lumberton and plan to stay.
 

Wednesday, August 30, 2006

Katrina kids


Photos by Mark M. Hancock / © The Beaumont Enterprise

New Orleans native Kyra Isidore, 13, (left) snatches the television remote control away from her sister Katlin Isidore, 9, (right) at their temporary home in Beaumont on Wednesday, May 17, 2006. The Isidore family found an apartment in Beaumont after Hurricane Katrina and stayed through the school year. They will return to New Orleans to be with their father next week although their former school remains destroyed.
 

Wednesday, May 03, 2006

Michael Ainsworth Interview - Part B

Please see Michael's bio and images as well as Part A of this interview.

What keeps you motivated as a PJ?

A paycheck. (laughs)

Well, I'm too stupid to do anything else. (laughs)

It's just a lifestyle I guess. It's energizing what we do. It's about the people we meet and the situations we come across. It's about the challenge of making an image that means something - not just to me, but to someone else. That's pretty much it.

What does it take to be successful in this profession?

That's a tough one because everybody is different. Each photographer brings something different to the table. I'm going to say confidence.

I say that and at the same time know I don't have the most confidence in the world. There's still some there. Knowing that you can go and produce an image that is worthy of the newspaper you work at - worthy for people to see.

There's many different types of personalities in this profession. Each person brings their own vision.

For a college kid, what are some skills?

The main thing is composition and lighting. I mean lighting in that not just you get better at lighting things, but you are able to see light and use light. Then there's looking for moments.

Moments are definitely important in our profession. Just like peak action is important, there are also subtle moments - people's expressions.

Knowing a little bit about the technical side of it as well. We just did some portfolio reviews up in Missouri and it was interesting to see the different levels of people that were coming to get their portfolios reviewed.

There were people that were really, really good and they were the people in the master's program. Then there were people I know didn't know f-stops and shutter speeds work together because their images were all shot at f/8 and their pictures were all shot at the same distance. There was no foreground/background relationship in the photos and you have to talk to these people differently.

It's tough when you're looking at somebody's portfolio. You don't know their background. You don't know what level they're at. You try to (evaluate the portfolio) the best you can without being hurtful. Because some people can take it and some people can't.

After a certain amount of photography, hearing negative things about your work is what's needed to get you to the next level. That's what needs to be said. We weren't coddled when we were coming up. Of course, the people that we were asking opinions of knew us, but it's good to be pushed. It's good to have opinions about your work.

It's good to hear the good, but it's equally good to hear the bad and hear what you need to improve. If your (skin) isn't thick enough to accept it, maybe it's time to find something else to do. You're going to hear it from your bosses if your work isn't good enough. You better be able to accept it and learn from that.

Everybody has their own opinions, there's pictures some people like and other people hate. What I'm saying is you have to listen to the critical comments. The critical comments are usually only stated to try to make you better and try and push you and try and get you to the next level.

You're known as a "sports guy," please give some tips for young sports photojournalists.

If you're shooting baseball, stand right behind Louis DeLuca. If you're shooting football, stand right behind John Rhodes. (laughs)

Know the game. That's the first thing. Know the nuances and sometimes that just takes shooting a lot. That's how you learn. You learn from experience.

When you're shooting a certain team - let's say the Rangers - you know Cordero's going to point at the sky after he has a save. You're going to know a batter is going to twirl his bat if he strikes out. Little things. Those little things can help you make a picture.

Basically, you need to know the game and keep shooting.

If you're shooting a high school game, you're not going to have time to (learn players' idiosyncrasies) because you're only covering one game. But know The Game.

If I go to cover a new football team, I always ask are they a running team, are they a passing team, who's their running back, what are the team's tendencies, do they run inside, do they run outside. All that stuff helps you to shoot the game. Even though you may not know each individual player and how they'll react, you know the tendencies of the team.

Even if you've never shot the team before, there's always someone on the sideline that knows the team - even the cheerleaders. Well, some of them - you can ask them. The (parents), trainers or the cheerleaders they'll tell you, "They run it about 40 percent of the time and the rest they throw to this one guy." They'll let you know.

It's no secret, but it's a secret to you because before you asked them, you didn't know. Just ask basic information.

New sports?

Do some research on the sport. Ask people who have shot the game. If someone else is at the game, bump shoulders, ask questions. You'll get the answers. Unless that photographer is really antisocial, they'll be glad to help. There shouldn't be any reason why they shouldn't help.

The more information you know, the more prepared you are - even if you get there at the last second. There's things you can do to help you out.

In baseball, if you have a left-handed hitter, they'll usually pull the ball and it will usually go toward the 2nd baseman or the 1st baseman. If it's a right-handed hitter if they pull the ball - which they normally do - it'll go toward 3rd. Just little things like that.

You'll (learn the nuances by) listening to the radio. Whatever it takes. It's about information.

How important is competition in the industry?

To some it's very important. Some people, that's all they're concerned about. They see that as a validation of their work. (Contests allow) people to gage themselves or gage themselves against others. I personally don't hold much to that.

If you win a lot of contests, you're going to enter a lot of contests, you're probably going to win a lot of contests. I personally don't win that much. I don't put that much importance in it.

I enjoy just taking the photos. If I have something that I really like, I'll enter it in a contest. Some photographers, it's all about the contest first. That's how they go about shooting images and those are probably the photographers that will complain that they think an assignment is beneith them. In fact, I know they will.

The photographers who mainly work for contests, they're all about themselves. I see more of the big picture thing. It's more about people we photograph and the stories.

Maybe that's oversimplifying, but it's maybe contests are about ego. I don't think I have one, and I don't really care to have one and other people do. We'll get assignments that we don't like every day, but it's how you look at that assignment. My daily thing is to concentrate on people. Concentrate on everything.

Should you send images to competition?

Yea. But the contest shouldn't be what it's about. Maybe this is the way I'm thinking because you get your ups and downs from contests. If you're solely going to be determined with contests then you're going to be up when you win and you're going to be down when you lose, your going to be upset when you think the judges are idiots.

But if you live your life every day about enjoying your life, enjoying what you photograph, enjoying the people you photograph and our profession, then you'll be much better off I think.

If you do win something, "Wow. Great." But it's not the end-all.

How do you know when to enter then?

You're probably talking to the wrong guy about that. If I knew how to take a picture that would win a contest regularly, I would do it. I don't. To me it's more of a - there are people that know how to shoot for contest. They have that talent. I pretty much don't.

I shoot plenty of pictures that I think are really nice images, but they're not contest winners. I shot many an image that I really, really like, but I know it won't win a contest because it doesn't have that whatever-it-is - extra umph - to it. That doesn't mean they're not good pictures, but they're not going to win.

That being said, every so often you'll shoot a photo that you just know has that extra whatever-it-is. It could be emotion. It could be action. It could be light. It's hard to say what that one element is. Usually you'll know and your colleages will tell you.

What do you see in the future for news photographers?

That's a scarry one. I'm not quite sure. We probably will have jobs - I'm not sure in what capacity. I keep changing my thought on this. I keep thinking, "Wow, if I can make it 10 more years, I'll be happy." Now, I'm thinking, if I could make if five more years - especially what we're doing now - I'll be happy.

There'll always be a need for photographers, I'm just not sure how they will be utilized. I mean what form.

Right now, there's a big push toward video. I'm kind of concerned about that because it's a different way of seeing. It's not the way we're used to seeing and we're being told you can pull a still frame off that just fine. But, that's not the way we shoot. It's not the way we were trained.

The problem with that is the training in another medium. It'll probably give us more longevity and at the same time give us a new way of seeing the world - another way of storytelling. But it's a very difficult time.

It's probably what the guys were thinking when we went from film to digital. The older photographers in our profession were - in fact, some of them retired rather than do it. But, it all worked out OK. In the end, people were happy with digital and that's the way the market has gone.

Now, people are scared about the video thing. You have to accept the fact that that's the way the business is going and try to find your groove in that. You have to accept the fact and learn it and some will be better at it than others. Just like we are in photography. Some are better portrait photographers, some are better sports photographers.

Video could totally do well. We're not going to be good at that. We're not. It's a new challenge.

I haven't played with it. They're training us in waves. I'll probably be (trained) in about four to six months. I think they're giving everybody about two or three months to learn in each wave.

It's still going to be difficult to implement. It's going to be hard for newspapers - for small newspapers - to use the technology because at this point if you shoot video that pretty much takes up your whole day. First the shooting and then editing.

It's not a quick process on the back end. You still have to edit and produce the video. As people do more of it, they'll get quicker at it, but it's still not as quick as still photography is.

So, newspapers are still going to have to have people who do video and are selective in the video they do and people who do stills mainly because of that. You can't be shooting three assignments on video and then come back and edit because it takes so much more time.

Adequate stills can be pulled from the video?

Yes. What I've been told is like it's like when we first got the digital cameras. Remember the quality that we had back then? It's probably the quality we have now from stills - from frame grabs or whatever they do with the video - but think about how the image quality got so much better so quickly. I'm sure it's going to happen the same way in video.

Yes, it would be an image that would be usable in a newspaper.

If you could change anything in your career, what would it be?

It would have been early. I think it probably would have been - I don't know where I would have ended up - but, it would have been good to maybe go to UT and go to school there.

I always wanted to get out after college and move away and I never really did. I'm happy here. I wouldn't be where I'm at now without going the path that I went. Although I made a determination to get a job here and stay here.

I guess at this point, nothing.

What is your finest moment?

Well, this Pulitzer is pretty special. That would have to be it. I've had a lot of good moments - most of them being pretty subtle - but that's fine. This Pulitzer, what's important to me is that it was a team project. It wasn't just about one photographer, it's about the whole staff working together to cover this - to cover Katrina.

Everybody went overboard and did so much more than somebody should have done physically and emotionally to get this thing done. I'm just very proud of the staff. The dedication that was shown.

Talk about Colombia.

When I came to the states, they put me in a 2nd grade classroom and said, "Speak English." I learned English in about a year and forgot Spanish in about a year.

What's frustrating is about three or four years later they came up to me and said, "You know, it would really benefit you to learn a second language." As a kid, it was probably the first time I flipped somebody off.

They took it away from you because at that point it wasn't important. At that point, there wasn't any bilingual education. They took it away from you because of ignorance and then all of a sudden they want you to have it back. It's not that easy.

Should PJs know a second language?

A second language is beneficial - any second language would be beneficial. It's only going to help your career and, secondly, knowing more about the world.

The other thing I think more Americans should do is visit another country. Get to know the world. There are many views out there. There are many cultures that are just as important as the American culture. Sometimes Americans, that's all they think about is America, they forget there's another world out there.

People have different ways of thinking, different emotions, different cultures, different lifestyles. That doesn't mean they're less important than what we believe. They should get the same amount of respect. A lot of Americans don't have respect for the world.

It's about accepting and understanding world cultures.

Enough for now,
 

Tuesday, May 02, 2006

Michael Ainsworth Interview - Part A

Please read Michael's bio and see his images.

Has winning the Pulitzer Prize changed anything for you?
No. I heard from a lot of people I haven't heard from in a long time. It's been unreal I guess. Even when they called us up at 11:30 and told us to be here at 1:30, I should have known from then. They don't call somebody to be at the office - they knew. Even then, it didn't quite sink in.

I got the name Pulitzer next to my name and that's very amazing.

Since then, well, I'm still working. I do what I do. The daily grind stuff and do it the best I can.

These questions are intended for young pro photojournalists with one to five years experience in the field. What general advice do you have for this group?

Don't do it!

The main advice I have for this group is never give up. It took me seven years to get hired part-time and then it took me five years to get hired full-time. I kept grinding and doing the best work I could.

Good things come from patience and perseverance and not giving up. I could have given up a couple of times. In fact, there was a time when I tried out to be a police officer, went back to school and thought about nursing, but still stuck with it and things worked out.

Daily beat?

Daily beat - the way I see it - you're always thinking about the images, but it's more important to enjoy what you're photographing and the relationships you make while you're photographing people.

A lot of the times, this is the only time the person will be in the newspaper and only time this person will ever be photographed by a newspaper photographer. It’s important to enjoy the relationships you make while you're taking the photograph. That makes your life so much better all the way around, and it shows to the people you're photographing.

How many times do people have their picture taken for the newspaper? Most people, if it's a feature photograph, they're lucky to get in a feature photograph for a newspaper unless they're a very good high school athlete or a celebrity or something. Most people live their daily lives and there's not a reason per se to be photographed. So when a person has their picture taken for a newspaper, it's usually a very big thing in their life. It's a very important event. Even if it's a planned event or a feature photo, it's still something that makes their day. Hopefully. If it's a bad news story, it won't make their day, but most of the stories we do are positive.

It's about relationships and communication. That's what our business is about anyway.

What's the photojournalist's responsibility when meeting a subject?

To document accurately the scene and show respect to your subject.

It's easy to... everybody's done it, you get an assignment and you're just like, "this isn't important," or "why'd I get this assignment?" A lot of photographers have that attitude of "this is beneath me."

I finally realized that every little assignment is about relationships. It's about making bad assignments into good. You have to find something in that assignment to make it special for you.

Then, it becomes about the image. Because if you show passion for the assignment, it shows in your photographs.

Shooting a nice detail shot of a product - a lot of photographers wouldn't put their full effort into it, but it's important. It's not just the fact that it's a photograph that you're taking and it shows how hard you work and your dedication, but it's about the relationship. If you go to the assignment with a bad attitude, it'll show in your photographs. It wouldn't benefit anybody.

How has being a photojournalist affected your life?

I have no life.

It's a difficult profession. As far as getting married and kids and stuff, you've really got to find a special person who can handle it. It's not for everyone.

But, there is such a passion in this business that a lot of professions don't have. Everything we do is so creative. You put so much of yourself into the images that it's - I can't say it's addictive - it's a way of life. It's very hard to blend that with a regular life, family, kids, whatever.

The travel is a problem. The time dedication is a problem. Still, I wouldn't trade it for anything. I'm doing this as long as I can.

I enjoy my co-workers. I enjoy the variety that it offers. I enjoy the challenges that it offers. The people you meet. It's true, every day is a different day. You have a blank canvas a lot of times to create a nice image out of a situation that probably didn't deserve it to tell the truth. You have to be very creative, it's just a challenge to push yourself.

I'm scared of change - pushing the envelope - failing I guess, but it's something that we all need to do.

What special precautions do you take when you know you're going to a natural disaster area?

When you're flying in, you're behind the eight-ball because you can't take everything you need. If you're flying in late, you can't buy everything you need. You're pretty much bare bones if you're flying. You're kind of living on the edge. You're relying on others. That's where the journalistic community - like you helped us out for Rita and TV stations help each other out - the media is always an extended family. That's your basic support system there.

If you're flying in, you can't take gas cans and you can't buy gas cans there. You'll probably be able to find fuel for your vehicle but you can't keep extra. There's no way to do that.

I made a mistake going into Katrina. I forgot to take a satellite phone and I never did own a pair of hip waders, which since then I do have them and would take them again. You take your power inverter. You take everything that you need to charge - all the cables - realizing that in the worst case scenario, the car will become your power station. You can't take Fix-A-Flat on airplanes. If you can get that when you're there, it's another thing to take.

If you're driving, you can carry all that stuff with you. You're much more self-sufficient that way.

In New Orleans?

I got the second-to-last SUV before they closed the place down. You get full coverage on it even though the company says you don't have to. Get full coverage because you don't want to be liable for anything.

Normally, we don't get that coverage, but if you know there's going to be problems and you're going to be driving into problems, full coverage is a necessity.

I'm going to buy a flexible underwater housing for my cameras. Yes, trashbags work, but they only work so long. Anywhere where your camera is drenched, you always have to send them in to be repaired after-the-fact. It would just be a smart investment because you have to make sure your equipment works while you're there. To keep them running is to keep them dry.

If your cameras go down, then you're out of business. If you get more than two flats and you can’t get them fixed, you're out of business.

The key to all this is your vehicle. In a rental vehicle, you have to look at the risk/reward. Will putting your vehicle in harm's way be beneficial? Most of the time it isn't. Most of the time, you can wade in yourself. The vehicle is your home. It's how you survive. It's how you get around. It's everything.

If your vehicle gets stuck, you have to rely on other media people for help. As far as medical emergencies, you have to get out of there.

You're bosses don't want you to leave, but there's certain reasons you should leave. If your health is in danger, try to get out as fast as possible. If your gear or your car is damaged, I'd still try to find ways around it.

Our bosses like reporters and photographers to hang around together. One, for security reasons, and secondly there will - hopefully - be two vehicles. We'd drive in one and keep the second one as a back-up. Sometimes that's not possible, but you have to look at the benefits of being cautious.

I was lucky. When we were down there, we had other photographers who could help us out. If you're by yourself, you rely on other media people. It's best if you can go with a reporter and they have a car. You can use their car as a back-up or our car as a back-up. Just make sure there's another option - another solution.

I noticed you had a SUV while you were in Beaumont. Where did it come from and what's the normal policy for hurricanes and such?

I drove that one down. They ran out of SUVs or they weren't renting them out down there. In fact, they weren't renting a lot up here. I drove it down to Houston and then drove from Houston to Beaumont.

I'd definitely rent. Don't take your own car in that situation because a company is not going to pay to fix your own car. If that happens, then you're out of luck. Whereas with a rental car, they reimburse you for the rental and there's insurance on it.

Was access a problem as you traveled through the region?

The only access problems you have are individual people who don't want their picture taken. You might get some access problems with police officers and stuff, but usually the damage is so widespread that you move on to someplace else.

People don't want to be photographed. Definitely, I understand. It's not worth the hassle of getting yourself in trouble and upsetting these people. Respect their views and move on.

What ethical considerations do you keep in mind while shooting around civilians?

People were devastated. People weren't injured by the flooding. It was mainly psychological. It was just the fact they were where they were. Traumatized people.

If someone needed help, I gave it to them to the best of my ability. There were people who wanted me to drive them out, and I couldn't do that.

What about around bodies?

There was a guy who fell off a bridge - an elderly gentleman - I felt a lot of sadness. I was looking at this guy in his 80s. I was saddened that this gentleman had to die this way. He wouldn't have died if he wouldn't have been on a bridge if the place had been evacuated.

I felt sadness there. I don't know what this guy's life was like - the joys and sorrows and everything - he deserves a better way to go. All these thoughts were going through my head.

He was at the bottom of a stairs and all these people were walking over him - that was the way people went to the restroom, so people were hopping over him. I wanted to do something, but I just (sighs)...

I went up to the top of the bridge and talked to a woman who had been trying to take care of the guy. She was all upset because this shouldn't have happened. She felt the same way I did. He was an old man and shouldn't have died that way.

Please describe a typical day's schedule in a disaster zone (wake up, transmission times, travel, etc).

A typical day when Irwin (Thompson) and I were sleeping on the bridge in our car. You sort-of sleep in your front seat and try to rest. Obviously, because you're sleeping in your car, you're going to wake up as soon as the sun comes up.

You get up, grab some water, brush your teeth, maybe grab a granola bar or whatever you've got with you. If you're by yourself, you try to find out what the story is for the day and where you think you should be.

It was difficult in New Orleans because there wasn't much communications. But because Irwin and I were working together, and we knew the Superdome was still a hotbed and we knew the convention center was a hotbed - where people were. That's how we decided to split things up.

We did drive together at some points, but we split up the city and you (listen for) rumor. You hear where things are bad and you try to get there because there was no real "news." Luckily we could hear some radio stations. That would help us out.

Then, you just drive around. Find whatever you can to tell the story of the day. You keep doing that until the sun goes down. Then, you scramble to figure out how you're going to transmit.

Luckily, Irwin brought down Verizon cards for everyone and those were working at that point and Irwin had a satellite phone. So, that helped a lot. Before that, there was one day where I couldn't find a phone line, couldn't find a DSL, so I was struggling.

Basically, you work until the sun goes down, and then you've got to find a place of safety. A place where you can work to do your job, where you feel safe and send the pictures and eat another granola bar and try to get some rest to do it again the next day.

Grab what you can eat when you can. You really don't have time to think about it.

In your daily travels, are you looking for a specific shot, a specific situation or simply reacting?

If you know there are areas that are hard hit, you try to get to those first. Try to go where the news is actually happening at that point in time. There might be rescues.

A lot of the stuff you hear on the radio might be late, but still it might give you an idea of where damage is - especially if you're going to a place where you really don't know the area.

A lot of times I'm just driving around going, "Where's the damage?" You try to get as much information as you can about where things are happening.

Before hand, a lot of people are trying to evacuate. So you go where people are congregating, or you hit the freeways and you have the bottleneck of people leaving. People boarding up their houses, or people doing just what they can before the storm.

After the storm, it's all chaos. You have to show what the devastation is there. If you're lucky, you'll get a little bit of emotion and human response to that. But, a lot of times, people are just in shock - as they should be in that situation having lost what they lost.

Does it take a personal toll on you?

Yes it does.

I've covered about 15 hurricanes in my life and a couple of dozen tornados. Until Katrina, you get into a rhythm. You shoot destruction, but there's very little personal - it's hard to get personal interaction with property and damage and stuff. It wasn't until Katrina that you actually saw the human side of it. How a disaster affected people.

A lot of times people would have evacuated their homes or in a news situation like a tornado, if there were injuries or damage you wouldn't be there when it happened and you would have the established emergency response to handle it. The situation would be over by the time you got there.

It wasn't until Katrina that they didn't have that response. It was too overwhelming and there were people there that were suffering and having to live through this. So, that made it unique.

The other thing that made it unique is that it was a hurricane, which most people - it wasn't like a tornado where it's unpredictable. It comes down, it damages stuff. This is a hurricane where people knew it was coming. In a way, I guess they were complacent about it or didn't believe it was going to be that bad.

There were a lot of human tragedies - a lot of stories to be told out of this disaster. While we were down there, we became therapists for the people we talked to. People would come up to us and ask us what the news was, and we would tell them what little we knew. Then they'd tell us their problems and tell us their stories.

In a way, we became therapists for them. You had to spend time with them. You can't just, "Oh, yea, yea," and walk off. That's just not human. That's not the way you treat people.

With me, I'm kind of a listener. I let people talk and a lot of times I don't have anything to say. I mean I can reassure them and comfort them, but I just let them speak and let them know I'm there with them. I wasn't leaving.

They saw you as you were there with them, but at the same time they thought that we have some kind of special power - I don't know what they were thinking - but, no, "we're here with you. We're not leaving."

In reality, yes, we did have a little more water than they did. We had a vehicle where we could get in and out of the city, and a little bit of food, but at least we had mobility. We had more security than they did. But, we had to reassure them that we weren't leaving. We were there to tell their story.

Just like in real life. People handle their lives differently. Some people are extroverts. Some people are introverts. You have all different types of people. Some people are angry and get angry easily. Some people are not as easily provoked - I'm not sure how to say this.

There were certain people that would see us and they would get angry at seeing us for whatever reason. Maybe they think we're exploiting them, I don't know. But those people, I'd let them speak. If they're angry at me, I'm not going to take their picture because I would be the person who was (causing the) response. Just let them be angry and respect that.

Then there's people that are sitting on the side of the road, you say, "hi" to and ask them if they're OK. And they say, "Yea dude, we're fine." I don't know if they're in shock or if that's the way they handle things.

I'm kind of like them. I observe and am patient about things. Whereas, some people aren't. Some people weren't patient, and they had a right not to be. They were wondering where the help was, where FEMA was, when they were going to get evacuated, and they had a lot of concerns. If you had a family sitting on that bridge and your grandkids and there's no food and no water and it's hot and there's no answers to how long you're going to be there, you have a right to be concerned. You have a right to feel angry or resentful or everything - every emotion known to man. You have a right to those emotions.

About you?

I talked to other photographers as well. It was really weird after I came back. I came back to work, probably nine days after the storm hit. I walked in the building and all I hear is, "Oh Michael, you did such a great job," and "We're so proud of you," and "You're images were incredible," and people just being nice. They were just commenting on the images I produced.

To me, I felt... ill. Because I would look at these people with this look on my face like, "What the hell are you talking about?" Because I should not be praised for the suffering of others. That's the way I saw it.

It took me about a week and a half to finally see that these people meant well. But they weren't seeing it the way I was seeing it. They were being good people and being conscientious and appreciative of the work that I did, which is still kind of difficult for me to understand. I was just doing my job and anybody would have done that.

I talked to other photographers and they felt the same way. It was weird. We just got ill feeling.

After about five days, you get to the point where you can say, "thank you" and mean it. At first the thank yous were - I couldn't even get that out - it was very weird. I felt ill by hearing compliments. I physically felt ill.

Enough for now,

Please also see Part B of this interview.
 

Monday, May 01, 2006

Michael Ainsworth (1965 - ) 2006 Pulitzer Prize winner

Michael Ainsworth was born in Houston, Texas on Dec 11, 1965. He spent seven years of his childhood in Colombia. He is known for sports photography and reliability.

He made images for "Eyes of the Storm," a compilation book of work by The Dallas Morning News photographers. His images have been published in Newsweek, Time, National Geographic and Sports Illustrated.

He has won Sports and News awards in the Picture of the Year International contests and has won for Sports Action in the Baseball Hall of Fame competition. This year, he won the Pulitzer Prize for Breaking News Photography for his coverage of Hurricane Katrina along with other photographers at The Dallas Morning News.

He has been employed by The Dallas Morning News his entire career. He freelanced for The Arlington Daily News and the Midcities Daily News (both subsidiaries of DMN) while in college. He started work at The Dallas Morning News part-time while earning a Bachelor of Arts degree at the University of Texas at Arlington and was hired full-time in 1996.

He does not have a personal web site. However, several of his images can be viewed on his DMN portfolio.

Please also see interview Part A and Part B.

Enough for now,
 

Wednesday, February 22, 2006

Bryan's 797 chefs


Sous chef Bart Shuford prepares meals at Bryan's 797 in Beaumont on Thursday, Dec. 15, 2005.

Photos by Mark M. Hancock / © The Beaumont Enterprise


Sous chef Bart Shuford (left) and chef Marcus Evans (right) work in the kitchen of Bryan's 797 in Beaumont. Evans was formerly a chef in New Orleans. He moved to Southeast Texas after Hurricane Katrina. Although he has losses from both hurricanes Katrina and Rita, he said FEMA will only assist him with one claim from either hurricane.


Chef Marcus Evans (right) and sous chef Bart Shuford (left) work in the kitchen of Bryan's 797 in Beaumont.

Thursday, October 20, 2005

Cover hurricanes

Since Hurricane Wilma is smashing all previous records, I suppose now would be a good time to post this entry.

I've covered a pair of hurricanes this year. They're never a cake walk and shouldn't be a destination to pad portfolios. However, when they happen close enough for a PJ to help the affected or their families, PJs better be prepared and know what to do.

Have a purpose
Let's be absolutely clear on the purpose of PJ work. Clips aren't a purpose. Portfolio isn't a purpose. In and of themselves, they are selfish and serve no greater good.

PJs are the eyes of a community. PJs go - at grave personal risk - where others don't want to go and sometimes can't go to tell the stories of survivors and emergency workers as well as relay visual information about damage to the displaced.

Why? To keep evacuees out of the way of the people trained to deal with this kind of danger and to motivate trained personnel to come to the area. Secondarily, we show the need of those affected to let others know what blessings they have and (hopefully) share some of their blessings (donations) with the folks most affected.

Therefore, PJs are the visual barometer of safety risk and need. We are often a de facto first responder and assume the responsibility of immediately helping as many people as we can.

Furthermore, we must continue to DELIVER images to the community when the entire infrastructure is destroyed. The images don't do any good trapped inside the crisis zone. The images don't help if they're only posted on someone's portfolio months later. They must be on the wire within hours.

This means folks with film cameras, two bottles of water and a tank of gas should stay home. They have no purpose, do no good and pose a potential hazard to others while absorbing limited supplies.

Survival
At its edge, PJ work is a series of calculated risks. There's a line of gravestones to attest to this fact. Some calculations are wrong, and PJs die. Dead PJs don't help the people they came to help. Dead PJs certainly don't turn out images by deadline. Dead PJs only create more problems for crisis-area emergency workers, forensic dentists, newspaper editors and family members (in order notification).

Therefore, PJs must ensure their own lives first. Then, PJs can work to help other survivors. This takes a huge amount of logistical planning, knowledge and support before, during and after the actual hurricane. Eventually, PJs' most precious items narrow to a camera, gasoline, bottled water, laptop, bug spray, communications, canned meat, dry socks, disinfectant and sleeping bag - in this order.

Before the storm
The following are items to handle before a PJ arrives in the strike zone or at least before the winds start increasing.

Take fuel
Fuel is vital to cover a hurricane. It's also most difficult to find after a hurricane. Before leaving to cover a hurricane, fill the tank and refill often along the way.

Additionally, carry extra fuel containers. Most PJs have SUVs. This makes it easier. Buy some shower mats (with suction cups) and place them on the roof to avoid scratching the paint or spilling. Put the full fuel containers on the roof and firmly strap them into place with a ratcheting web strap (moving supply companies have great ones).

Once the hurricane hits, it's important to fill the gas tank frequently with the fuel from these containers. If a looter steals empty containers, you're in trouble. If a looter steals your fuel and leaves your tank empty, you might die.

If no fuel is available, find the closest location and estimate the fuel required to get there. This is a PJ's time limit. If the closest fuel is half a tank away, PJs must leave the hurricane zone when they're down to a half tank. If there's room, help evacuate others.

PJs with cars aren't going to do well. Cars don't have clearance needed and have nowhere to store extra gear and fuel. DON'T put fuel containers inside a car or car trunk. Consider buying a detatchable roof rack or tow caddy to carry fuel or plan to limit time and/or depth into the hurricane zone.

Research the suspected strike zone
PJs need to know much before the hurricane's eye passes overhead. This knowledge becomes critical as the clock ticks between disaster and recovery.

Learn about the topography (terrain) of the area (first for survival, then for coverage). Understand the demographics of an area to know where survivors are most likely to be found (poor parts of a town have more survivors/casualties). Learn about iconic landmarks, historical sites, key infrastructure facilities as well as potential rally points.

Most of this information can be found on the Internet. However, get plenty of updated waterproof maps to assist with navigation. Since most roadways are blocked with debris and obscured by flooding, it's important to find alternate routes to all destinations. These maps are available at truck stops on the way into the strike zone.

Be in place
To have immediate access to a hurricane zone, PJs must be SAFELY in the path. This doesn't mean standing on the beach waiting on a 50-foot wave or 130 MPH flying truck or shrimp boat. Instead, PJs should be located within the strike zone - preferably on the "good side" (west) - before it hits.

Furthermore, be in place with ample supplies (see the list) and a shooting plan (to come) days before the hurricane hits. The story begins at least a week before a hurricane and everything becomes more difficult by the minute.

Shelter
The days before a hurricane are typically sunny, dry, hot and calm because all moisture is sucked into the low-pressure zone. These nights can be spent at a local hotel or camping out (car or tent). Use this time to locate and confirm access to real shelter when the clouds appear.

Shelter takes on a new meaning during hurricanes. A tent won't do. A car won't do either. Shelter must meet the following criteria:
* Poured cement support around a steel structure.
* Windowless areas or hurricane-resistant windows (very expensive and rare).
* Sufficient elevation to avoid flooding problems caused by rain or storm surge.
* Upper level evacuation doors (flooding).
* Cross ventilation to handle rapid pressure changes.
* Broad enough base structure to tolerate winds without falling.
* Protection provided by similar large buildings without a possibility of domino effect.
* Adequately clear surroundings (no large trees, boats or other large flying debris).
* Similarly constructed and protected parking garage with upper floors.

It's best to find a hurricane-safe structure about 30 to 60 miles inland. It's common for large newspapers to meet hurricane-safe building standards. The building itself may need to be torn down afterward, but everyone should survive the actual hurricane.

It's also common for working pro PJs to request a section of floor at large newspapers during a hurricane. This professional courtesy is eventually returned. Similarly, the host newspaper is likely to maintain high-speed internet connections for image transmission after the hurricane. As other alternative means of transmission fail, it's an additional back-up plan.

Since hurricanes are unpredictable, they can land anywhere along a thousand miles of shoreline. Front line, national PJs need to have a list of newspapers, addresses, contact names and numbers for the entire potential strike zone. It's best to make arrangements for the most likely location, but adapt to the situation and make contingency plans for other locations (a call to the photo department normally works).

The Baton Rouge Advocate allowed us and other national media to transmit from their office after Katrina. Our paper hosted at least eight other brand-name PJs as well as various reporters during Rita and into its aftermath. Unfortunately, our newsroom was badly damaged, so we lost our ability to help folks transmit during the first few days.

Clear access issues
After really major catastrophes, the common reaction by authorities is to clamp down a city and keep order. This is fine. However, media aren't looters. We're doing a legitimate, Constitutionally-guaranteed service. We must be free to do our jobs without prior restraint. We take responsibility for our own safety.

If time allows, have higher authorities in the media organization talk to state and local leaders before everything goes crazy. Get assurances that legitimate, credentialed media representatives will continue to have freedom to do our job without interference. Demand nothing more and nothing less.

Because we may be covering news outside a major urban area, we'll also need authorization to travel past curfew. If it requires a paper from the state police or whatever, secure it to keep freedom of movement after dark. It's far easier to secure the paperwork before the crisis than after.

Initially, we need to show citizens' properties are secure and police are still doing their job. This allows evacuees to stay out of the way until it's safe to return. Otherwise, evacuees may return with a truckload of guns to protect their property. This isn't what the police or emergency workers need. Consequently, it benefits law enforcement officials to allow us to do our job.

Get a buddy
PJs are completely alone on the streets after the hurricane. Unless they have satellite communications, they're often without communication as well. It's important to find a buddy before the storm and keep each other updated on daily plans.

Shooting buddies make sure everyone gets to go home alive when the crisis ends.

Each morning, the buddies should check with each other and exchange plans. Part of this is to avoid duplicity of coverage. Most importantly, it's to ensure survival of both shooters. If one isn't around for the morning meeting, the other should try to contact or locate the missing shooter.

Flat tires and low gas are common in hurricane zones. So are alligators, snakes, armed looters and all kinds of other nastiness. Either way, there isn't an infrastructure to provide help when immediately needed. Consequently, it's good for everyone to have someone watching their back and coming to the rescue if needed.

During the storm
Don't be stupid. Smart people aren't on the street - they wait until the winds die down. Furthermore, blowing rain and water on filters makes everything appear out of focus. Lastly, if the hurricane comes ashore at night and the power is off, what is there to shoot? There are only Weather Channel people showing how windy it is. If they die, everyone will see it live. Take advantage of the time to prepare and rest.

Protect self and equipment
Again, a dead PJ is useless. Similarly, damaged cameras, trucks and kayaks are equally useless. Protect yourself and equipment during the storm. There's ample opportunity to destroy any of the above within the next few days. At least get an image or two onto the wire before it happens.

Electric-powered devices
Electricity fails during a storm. This is preferred for our safety later. However, it causes huge problems the second it happens and the second it returns. Anticipate these problems and avoid them.

Do NOT use elevators once the storm starts. A PJ trapped on an elevator isn't going to do much during the first few days and creates extra work for others.

Make sure all electrically-powered exit gates are chained open. A blocked exit is unacceptable and possibly deadly.

Unplug everything, turn lights off and cover equipment with plastic sheeting.

Everything should be charged long before the peak of the storm. When the power does come back, electrical surges are highly probable. Yes, surge protectors help, but the surge could be too much and destroy the equipment or cause a fire (or charge the water standing in a room full of people).

Prepare equipment
Use the time during the storm to prepare equipment for the upcoming shoot.

Securely chain or tie kayaks and/or canoes to support posts inside the parking garage. Get the truck interior ready for immediate needs (first aid, rescue equipment, etc...).

Weatherproof cameras with sheet plastic and gaffer's tape. Since it would be crazy to try to change lenses in the storm, put a wide-angle zoom on one camera and seal it and a telephoto zoom on the other camera and seal it.

Check all camera straps and other fasteners. Tape everything into place. Make sure waders are ready and have no holes.

Mark vehicles
Clearly mark the vehicle with "NEWS MEDIA" signs. Often video folks duct tape "TV" on unmarked trucks. On normal days, these same signs are an invitation for broken windows and missing equipment, but nothing is normal after a hurricane.

Police and military folks still want to see credentials at each roadblock, but it speeds things along occasionally as they begin to recognize the same vehicles and drivers. The markings also help slightly after curfew.

Be ready to move
Hurricanes love to point out flaws to architects. A roof can vaporize in a second. Windows can break. A wall of water can easily destroy a heavy support wall. A swarm of tornados can take turns smashing into a building. Nothing is certain during a hurricane.

Consequently, if there's a structural flaw, it'll be immediately evident. Only keep essential items in the building and have everything ready to move without notice on one trip.

Know where to go next. Know how to get there without lights (headlamps are invaluable after power is cut). Know where the most dangerous areas are before windows break. Know the location of every protected exit.

Use the same planning techniques as in a combat zone. Instead of taking cannon rounds, a building might take Volkswagons. Cover is cover. Understand the best movement routes before required. Know if hallways are brick or dry wall.

Stay calm and focused through each move. Although seasoned PJs understand moves are often precautionary, neophyte hurricane PJs and reporters might overreact if they see one of the veterans moving too quickly.

Try not to shout unless danger is high. People at the edge of the shouting distance don't know what is said, they only hear shouting through the staircase and freak out.

Everyone looks to the veterans for appropriate stress levels. Stay calm and keep everyone moving smoothly to the next evacuation location.

Test communications
If possible, test communications a few times throughout the night. Have as many back-up systems as possible. As different systems go down, test back-ups systems to make sure there's some way to get images out.

If all communications fail, plan enough time to pull back far enough to find a way to transmit before deadline.

Obviously, the ideal communication method is satellite. It works regardless of ground damage. Next would be broadband cellular cards. These are followed by WiFi, high-speed Internet, cellular modem and finally standard telephone modem. Configure computer software and be prepared to use all these methods as situations dictate. Each city inside an affected zone may require a different means of transmission.

Sleep
Although some folks get nervous and won't be able to sleep, sleep is the best way to wait out a storm. Once the storm passes, it's unlikely PJs will get much sleep for the next few days. Rest now for what's about to come. If the ceiling caves in, someone is awake and tells everyone else to move.

After the storm - in position
Once the eye passes, every minute gets a little better. As soon as it's relatively safe, PJs can tentatively venture into the chaos and try to make images.

If PJs were on the "bad side" expect to launch a canoe or kayak. If PJs were on the "good side" and have a high enough truck, they might make better progress.

Either way, it's still very dangerous. Furthermore, it'll be hours if not days before someone can come to the rescue if something goes wrong. Lastly, don't count on the cell phone working to call for help if the poop hits the propeller.

Ensure the power is off
Electrical lines and water are everywhere after a hurricane. Make sure the power is off, or it's a quick end to any PJ's day. Although some folks insist cars are grounded, don't count on it.

Personally, I don't want to see any working lights near a fallen power line. If there's light, there's power and possible death. Better safe than sorry on this issue. I can find a different street.

Canoes and kayaks aren't grounded.

Power lines on the ground aren't the big danger. The dangerous lines are neck-high or barely under the water level. They're the hardest to spot (particularly at night and during the storm) and cause the most damage. If the wire is live, it can be deadly.

Look for warnings
Immediately after a hurricane, nothing looks right. Most landmarks are gone and other landmarks are gnarled and plopped in the middle of the road about five miles away from where they belong.

Even on the "good side" of the hurricane, the streets are flooded because the city pumps were probably shut down. Consequently there's no certainty about the road depth, direction or dangers.

Drive slowly and cautiously down known streets toward a specific destination. The first outing after a hurricane should be toward a predetermined location. There's probably no traffic or people around, so take time to arrive alive.

Pay particular attention to signs and building heights. If the signs or buildings look too small, they are probably in low spots and could indicate a flooded area. Make a U-turn or back up to safety.

Follow other vehicles
If PJs are lucky, they find an emergency vehicle to follow. Don't ride their butt, but watch carefully how much water they're traveling through and compare it to the PJ's vehicle. If the vehicles have about the same clearance, it's probably OK to continue. If there's a foot difference, be extra careful.

If water is flowing rapidly across the road, consider finding a new route - particularly if the PJ's vehicle is lighter than the lead truck.

Breakin' the law
Immediately after a hurricane, most standard rules are placed on hold. PJs need to drive unlike they normally do. The police are doing the same (it's legal for them by the way), but they have bigger worries than which way a marked media vehicle is going down a freeway covered in power lines, trees and whatever else.

Since most fences have blown away and security is lax, it's possible to walk to places not normally accessible for PJs. Since everything is a news scene for the first day or two, go where the news leads the PJ. If someone has a problem, they'll let PJs know. Say, "Oops," and go somewhere else.

Typically, if security is posted at a commercial location with massive damage, show security the camera and an ID if necessary. They'll often let the PJ work without problems. However, don't touch anything. PJs are people of honor. We don't need someone messing up our reputation. Get the shots, go away and leave everything as it was found. This is how we work every day. When everyone is jumpy and looter crazy, it's not the time to do something strange.

Conserve fuel
When the rain stops, open the windows and turn off the air conditioner. Gas mileage is better, and PJs can travel farther each day. Fuel is a precious commodity and the gas cans strapped onto the roof get more attention than a steak dinner.

Expect flats
As mentioned, everything from roof tacks to shards of metal and glass litter the roadways. Consequently, everyone gets flat tires.

Make sure everything is ready to change a tire. It's best to carry more than one full-size spare tire, but at least carry a small direct current (DC) air compressor and a can of Fix-A-Flat in addition to the standard spare tire.

After the storm - moving in
Often newspapers can't afford a major news expedition. Consequently, PJs need to drive in after the hurricane, hook up with local story angles, catch some of the larger overall story and return to the daily grind at home. AP images round out the whole story.

It's not the best way to cover a major catastrophe, but it allows us to motivate our readers to help folks who need the help most.

This approach requires the same research and preparation as riding out the storm. However, gaining access may be more difficult. If an area is completely closed, the local connections (usually power or volunteer organizations) often provide access inside the affected area. Once in, access is relatively open again.

Bring supplies
Bring twice as many supplies as expected. Ask folks if they need food and water. If they need some, give them some. If they need medical attention, take them to the hospital (it might provide a way inside as well).

Be ready to rough it
Arriving late means those who rode out the storm are unlikely to make extra room for the stragglers. Near-death situations make folks bond and "outsiders" aren't immediately welcomed with open arms.

Ask around for a piece of floor and a bed might become available. In any case, bring a sleeping bag to provide ground cover (it'll be too hot for the bag, but a layer of padding on a tile floor is better than snuggling with a wet floormat.

Have contact info
When moving in after a hurricane, have contact names, numbers and locations before hitting the road. Don't waste any time on location. Make every second count.

If possible, avoid getting tied to a reporter. Their mission is the opposite of a PJ's. They need folks to stop working and talk to them. PJs need to shoot what's actually happening. A series of folks talking to a reporter doesn't tell the story. Get the action and collect cell numbers for the reporter.

Even better, while covering a crisis, PJs should be able to wear two hats and carry a cassette recorder in the camera bag. Ask pointed, intelligent questions to get a story and background information for a shoot. The resulting package is unified and coherent.

Keep focused
Readers need to know about the human condition of survivors and the valiant efforts of emergency workers. Hurricanes are like a Tour de France. It's a sprint during daylight hours and then transmission of images at dark. A quick nap and off again before sunrise - for at least two weeks.

There's no power, so there's no light at night. Believe me, the folks who are working, sweating and bleeding all day don't sit around a campfire and sing cowboy songs. They eat and crash because they'll be up before sunrise too.

Enough for now,

Sunday, October 02, 2005

Morning activities


Photos by Mark M. Hancock / © The Beaumont Enterprise
Sallie Coleman talks on a cell phone at a friend's house in North Central Beaumont on Sunday, Oct. 2, 2005.


Hurricane Katrina survivor Alton Mack, 19, (left) smokes a cigar and cleans jewelry while homeowner Henry Mitchell relaxes in North Central Beaumont.


Jerome Goodman, 17, (left) and Jacoby Hawkins, 16, (right) smoke cigars while Alton Mack, 19, (center) talks on the phone in North Central Beaumont.

Monday, September 26, 2005

Sandwiched


Mark M. Hancock / © The Beaumont Enterprise

A sport utility vehicle with Louisiana license plates remains crushed under a Jack In The Box sign in Beaumont on Monday, Sept. 26, 2005.

The truck's owner was a Hurricane Katrina evacuee.

Friday, September 16, 2005

Gulf Breeze home


Mark M. Hancock / © The Beaumont Enterprise

Valerie Harris (center) and her sister Geraldine Reddick (right) watch over Harris' grandchildren Ariana Ragas, 4, (from left to right) Terriyon Ragas, 2, and Maja Ragas, 6, at the Gulf Breeze Apartment complex in Port Arthur on Friday, Sept. 16, 2005. The public housing complex is hosting 76 New Orleans area families.
 

Monday, September 12, 2005

Planning to return


New Orleans native Arnold Ballard kills time at the former West Orange-Stark Intermediate School in West Orange on Monday, Sept. 12, 2005. He escaped from the flooding after Hurricane Katrina with the clothes he was wearing. He plans to return to New Orleans as soon as possible.

Mark M. Hancock / © The Beaumont Enterprise

Sunday, September 11, 2005

Katrina photos and video

David Leeson and Tom Fox from DMN were covering New Orleans together. David has three videos posted on the DMN site.

UPDATE: Also follow these links about the feedback. Imagine if you were the PJ on the receiving end of the call about the stray animals. Let's remember how hostile the environment became for PJs as the crisis grew.

Enough for now,

Katrina cabin project updated

I've posted an expanded update about the Cabin Project for Southeast Texas residents (and anyone else with connections) in relation to the Hurricane Katrina victims on my other blog.

Enough for now,

Hurricane Katrina


Photos by Mark M. Hancock / © The Beaumont Enterprise

When Hurricane Katrina plowed into Southeast Louisiana, Mississippi, and Alabama on Monday, Aug. 29, 2005, it caused massive damage. Most importantly, many people did not evacuate and found themselves trapped and in horrible danger. The government on many levels failed these residents.

Southeast Texans opened their hearts, homes and wallets to help in both Louisiana and here at home. Although I didn't cover New Orleans itself, I immediately traveled to the region after landfall to cover Southeast Texans in the area. I was shocked at how little was being done to help the good folks north of New Orleans.

Please use the Back button on your browser to return to this page.

Aug. 30, 2005 - Tuesday
Entergy restores power

Aug. 31, 2005 - Wednesday
Hurricane recovery: Day 3

Sept. 01, 2005 - Thursday
Hurricane Katrina survivors need help (Text)

Sept. 05, 2005 - Monday
Make Beaumont the new New Orleans (Text - Beaumont blog)

Sept. 08, 2005 - Thursday
Family reunited

Sept. 09, 2005 - Friday
Orange shelter move
Evacuee orientation

Sept. 09, 2005 - Friday
Evacuee wedding

Sept. 11, 2005 - Sunday
The Cabin Project expanded (Text - Beaumont blog)

Sept. 12, 2005 - Monday
Planning to return

Sept. 16, 2005 - Friday
Gulf Breeze home

On Sept. 20, 2005 Hurricane Rita threatened Southeast Texas. We began our own evacuation, hit and aftermath. While most national media continued to cover Hurricane Katrina, we had to care for our own folks. Please see Mark-O-Rita.
 

Friday, September 09, 2005

Evacuee orientation


Michelle Wilson of Slidell (left) listens to orientation instructions with her son Andrew Wilson, 10, at a new shelter facility in Orange on Friday, Sept. 9, 2005. The shelter was formerly the West Orange-Stark Intermediate School. It was cleaned and converted into a shelter to accommodate Hurricane Katrina survivors.


Mark M. Hancock / © The Beaumont Enterprise

Evacuee wedding


Mark M. Hancock / © The Beaumont Enterprise

Luke Dennis and Kelly Hanrahan-Dennis sneak a kiss during their wedding reception at the First United Methodist Church in Kountze, where they are staying as evacuees, on Friday, Sept. 9, 2005. The Metarie, La. couple and their family ended their flee from Hurricane Katrina in Kountze.

I know the background is cluttered, but I needed to show this wasn't a normal wedding. All the church scenes looked like standard wedding images. However, the reception was held in the activities center where the couple and other evacuees are staying.

The couple is likely to live "happily ever after" because the bride has a great sense of humor. During the reception, she asked the official wedding photographer to shoot her and all the other evacuees. She gave them a good-natured ribbing about being evacuees while she and her groom were evacuees as well. :-)

Enough for now,

Orange shelter move


Steven Wilson, 8, from Slidell moves his belongings into a new shelter facility in Orange on Friday, Sept. 9, 2005. The shelter was formerly the West Orange-Stark Intermediate School. It was cleaned and converted into a shelter to accomodate Hurricane Katrina survivors.

Mark M. Hancock / © The Beaumont Enterprise

Thursday, September 08, 2005

Family reunited


Keisha Mitchell (right) is reunited with her son Malik Mitchell, 3, (left) at the Motel 6 in Orange on Thursday, Sept. 8, 2005. Keisha Mitchell was separated from her children in New Orleans during Hurricane Katrina. From there, she was evacuated to Lake Charles, then Atlanta and finally to Orange, Texas. Her children were with their grandmother and eventually got to Orange for the reunion.

Photos by Mark M. Hancock / © The Beaumont Enterprise



Malik Mitchell, 3, (center) is reunited with his grandmother Angela Netter (right) while his aunt Paula Williams visits with other family members at the Motel 6 in Orange on Thursday, Sept. 8, 2005.

Until Hurricane Katrina, some members of this family had never left the city of New Orleans for even a day. Some individual family members found themselves in five different states in less than two weeks.

They invited me to document the reunion of a mother and her sons. Most of the 20+ extended family members have gathered at a motel in Orange, Texas. However, some are still missing and others are considered dead (their last calls were despirate and dire).

Thursday, September 01, 2005

Hurricane Katrina survivors need help


Mark M. Hancock / © The Beaumont Enterprise

Debra Peters (left) and Connie Stephens (right) hug and cry in Covington, La. on Wednesday, Aug. 31, 2005. Both had worked for the Parish Clerk of Court office for St. Tammany. It was the first time either had seen any of their coworkers since Hurricane Katrina hit earlier this week.

See photo stories here (Red Cross) and here (Entergy).

It is with great sadness that I write this post. The good people of Louisiana need help and they need it NOW. If anyone can spare a few bucks, please help. Relief agencies use the money to purchase goods locally. This reduces cost of shipping supplies and also creates jobs closest to the damage. Since those displaced by the hurricane will need to work to exist, it's the best deal. Please donate cash.

I cannot begin to explain the despair which is already palpable. Like most disasters, day one left everyone guiltily happy they survived. On day two, folks were still civil in the areas where damage was not as complete and hope remained. On day three of 100 degree heat and about the same humidity, the anger started to mount - particularly in areas where hope was gone.

Soon, severe diseases will affect the people living in knee-high sewage. Probably today and tomorrow, the bodies of the initially killed folks will begin to float to the surface. It will become increasing bad afterward.

What we did
I was traveling with a reporter, and we were told to only cover the immediate assistance from Southeast Texas. The two immediate responder groups were Entergy electric and the American Red Cross of Beaumont (photos on both links).

Entergy faces a monstrous task of restoring energy and normality to an area so large it's difficult to understand. They are doing an excellent job under adverse conditions and trying to help as many folks as they can as rapidly as they can.

The majority of Red Cross workers from Beaumont remain in Beaumont to help refugees while out-of-town Red Cross workers went in as far as they could. One team of "Red Cross rookies," a firefighter and a nurse - both retired, took a Beaumont disaster relief truck to Covington to help with distribution.

The Red Cross workers went to fill their truck with supplies from the Beaumont Sam's Club. Once they got their supplies, the manager handed them the receipt and wished them well on their journey. The manager paid for the supplies. If everyone could do their part - and quickly - some people might be saved.

On the ground
Although I didn't get to New Orleans, I did get to the front lines across the lake from New Orleans, inside the hurricane's path. Let me add that the police officers and state officials have been unusually accommodating to media thus far and need to be commended for their assistance under crazy circumstances.

Here's the situation:   Hundreds of people are dead. Hundreds more are likely to die. Everyone's jobs, lifestyles, joys and security vaporized in a day. What remains is a puddle of sewage, toxic chemicals, shattered lives and despair.

In these areas, many folks were smart enough and had the funds to evacuate before the hurricane hit. The rest need immediate help.

In many areas, swarms of tornadoes etched a path for the hurricane to follow. As if the hurricane wasn't bad enough, these smaller tornadoes would have each been newsworthy by themselves. Now, they are simply sidenotes to unprecedented destruction.

Security
All police, sheriff deputies and state police are overstretched with unexpected tasks. They must guard working fuel stations, escort and protect relief trucks and workers and provide traffic management in key locations.

Any additional strains, such as are seen in New Orleans, could lead to complete anarchy.

Communications
There is no means of communication. All telephone lines and cell towers are down. Only satellite and point-to-point radio communications remain. Those are dependent on battery power and/or fuel (see note below).

We tried to use a Kinko's to transmit the second day, but their Internet connection runs from New Orleans. They said it would be months before access would be restored. Similar problems exist with credit card and banking machines. Consequently, cash is required in the area.

Fuel
There is no fuel, because there is no electricity. Because there is no fuel, folks with private generators will run out of power long before energy is restored. Injured folks may currently be trapped with no way to escape. Other folks with limited food or water may be trapped in areas too difficult to access.

Roads
Most residential roads are a maze of fallen trees, power poles and fallen lines. Luckily the power is cut or they would also be scattered with dead people and wreck vehicles. We traveled along debris-strewn highways where crews had cut single-vehicle paths. Both directions of traffic had to take turns navigating these paths and driving over powerline after powerline.

Due to traffic signal failures, all directions of traffic must stop at each intersection. This creates a back-up for 10s of miles. Additionally, one lane of traffic is completely stopped on routes into cities where power has been restored for fuel stations. Police must monitor operating fuel stations.

While waiting in line to get fuel, vehicles simply run out of fuel. They must be abandoned on the side of the road and there is nobody to recover abandoned vehicles. It's not a significant problem yet, but it will be by week's end.

Infrastructure
There is no electricity. Consequently, there is no water, sewage control, traffic regulation or anything else which requires electricity.

Many homes are completely underwater down roads covered completely in fallen trees and power lines. Some folks had literally used a chainsaw to cut a footpath toward help.

There is no fuel. Some folks who got out of the immediate damage came to the city centers for assistance (food, water, ice and fuel). Limited food, less water, no ice and no fuel were available.

Noble people with previously enviable lifestyles found themselves waiting in a noontime line for a single Heater Meal (a civilian version of a military boxed meal with a thermal heater). If they returned at 5 p.m., they could have one more meal and some water.

Many folks had come to get food and water for their entire family. Please understand the significance of this lack of supplies.

Furthermore, understand these people had driven from great distances to find no fuel was available. It created immediate desperation:   they used fuel to feed their family, they got one meal instead. Some couldn't return to feed their family without fuel. Others couldn't return to bring their family where food existed. All were left without water until the next food rationing cycle.

All the folks receiving aid were proud and thankful for any assistance. However, it's obvious a lot of hearts were broken.

Jobs
Unlike tornadoes, this problem isn't over. Everyone's jobs and income were also destroyed. Many who were expecting paychecks this Friday won't have one. Furthermore, they will never have one with the same employer.

Officials are urging Southeast Louisiana residents to leave for a few years. They suggest they find whatever jobs they can and stay out of the way until normality can be restored in several months or years - if ever.

Consequently, all these people need jobs. Some will eventually work for contractors repairing infrastructure, but those will only be the most able-bodied and mobile.

Anyone with a job anywhere in America is urged to step forward and offer to relocate these displaced people. There are many trained and talented people who will need to make a living somewhere - anywhere.

Space
Hotel and shelter space is at a premium. As noted elsewhere, many people are currently living in sports arenas in major cities. This won't work perpetually.

Closer to the action, refugees are fleeing the destruction while contractors are flooding into the area to help. Since the contractors are critical to the restoration of the area, the refugees, unfortunately but necessarily, get the short end.

Anyone with some room in lower Louisiana or Texas should please offer some help to let folks get back on their feet.

Please help
As we left Baton Rouge, hundreds of emergency vehicles streamed into the area. Additionally, mile-long caravans of police-escorted busses and emergency service vehicles (tree cutters and electrical companies) were all rushing toward the city. It gives some hope, but not enough.

I must go to Dallas later today. However, this problem will exist long after I return. The good people of Louisiana need everyone's help NOW.

Enough for now,