Sunday, July 08, 2007

Flash flooding


Photos by Mark M. Hancock / © The Beaumont Enterprise

A truck turns from Highway 124 into the Market Basket parking lot in Winnie on Friday, July 6, 2007. Area flooding made several streets impassable in Chambers county.


Riley Thornton, 5, of Lufkin floats on his bodyboard over North Gayle Street in Gilchrist after flooding covered the Bolivar Peninsula street.



Vehicles take turns driving through clear passes on Highway 87 in Gilchrist after flooding covered parts of the highway. Area flooding made several streets impassable in Galveston County.

Saturday, July 07, 2007

Tricolored Egret


Mark M. Hancock / © The Beaumont Enterprise

A Tricolored Egret (right) begins to fly with a nesting stick as a Snowy Egret (left) rests at the Smith Oaks bird sanctuary in High Island on Thursday, April 12, 2007.

Friday, July 06, 2007

2007 Golden golfer


Kelly High School's Nigel Vessels follows through after a drive during a practice golf match at the Beaumont Country Club in Beaumont on Saturday, June 9, 2007. Vessels was chosen as this year's Super Gold Boys Golf Athlete of the Year by The Beaumont Enterprise.

Mark M. Hancock / © The Beaumont Enterprise

Thursday, July 05, 2007

Beaumont bucks trend


Photos by Mark M. Hancock / © The Beaumont Enterprise

Homes are under construction and for sale in the Walden Meadows neighborhood in Beaumont on Tuesday, June 28, 2007. Beaumont and Southeast Texas is bucking the national trend with robust home sales.


Workers continue construction and home sales in the Walden Meadows neighborhood in Beaumont. Housing values in Beaumont are ranked 46th among 285 metropolitan areas for one-year growth in America. Beaumont is the 4th strongest housing market in Texas.

Please read "Area real estate is booming" by Dan Wallach.

Wednesday, July 04, 2007

Recent discussions applied

I'll be honest, this wasn't meant to be a text post. I've been on vacation, and I'm waiting on some cool images to run in the paper (on Sunday) so I could post them here. So, my backlog of images is a little low today.

When I chose to post these images, I noticed how they're good examples of information contained in recent posts. One thing turned into the next, so y'all are stuck with a hodge-podge of observations about two mundane images.

Unlike other activities with step-by-step instructions and results, PJ work is a massive explosion of simultaneous options and decisions in a fraction of a second. This is why it takes many years for a PJ to become proficient.

Consequently, trying to describe everything involved in one news image is difficult. Simple images, such as the first one are easiest to describe. Complex images - obviously - are more difficult.


Peer advisor Jessika Johnson, a senior communications major, gives specific educational instructions during New Student Orientation at Lamar University in Beaumont on Friday, June 29, 2007.

Photos by Mark M. Hancock / © The Beaumont Enterprise



The image above uses subtle tools to keep viewer attention and tell a story. It doesn't have dramatic action or light, but the story itself (student orientation) isn't very dramatic. Even though today's images are mundane, they employ some compositional elements we've discussed lately.

In the image above, notice how all the leading lines are muted, yet point back to the subject's face. The style of her hair frames (provides a tangent intersection barrier around) her face. Because the leading lines of the cushions are noncontinuous, the lines are considered finite (or terminal) at the point they go tangent the edge of her hair.

Because her hand is pointing back into the frame, it adds to the image's ability to hold a viewer longer. The three non-prime corners have dark enough elements to keep viewers from exiting through those corners while the entry point is light enough to welcome viewers to the image. Additionally, the background is clean.

I should do a separate post on ordinal corners, but this image is a good example. Simply stated:   the upper left-hand corner in all Western images is often the entry point. The upper right-hand corner in most Eastern images is often the entry point. It's entirely based on how the culture is taught to read text. All other corners are considered non-prime.

While it's best to have dark corners to hold an image together, it's also important to understand the entry point to each image. Because we haven't plunged into eye movement enough, let's clarify for now that the actual entry point is variable and determined by the PJ and subject matter. While the prime corner is often the entry point, it isn't always "The" entry point.

If this image was a commercial image, the color pallet would have been blue rather than red to provide complementary-color contrast as described in the clean background post.

Commercial images are designed in the proper color pallet from the beginning. If hue changes are made afterward, they are seamless and errors (like around the subject's neck below) wouldn't exist. Because the image below is only an example, the hue shift is crude.

Unlike commercial images, which are fictional creations, PJs select the subject matter and must accept imperfect reality. Since the image above was news, it ran in red. Reality happens. I could spend more time to make the change below invisible, but I'd rather make it obvious for this example.

For the record, news photographers DON'T change color hues like in the example below. Some newspaper studio fashion shoots do, but a resulting image MUST be labeled as a "photo illustration." Otherwise, the photographer is lying to the viewers and should lose his/her job.


PHOTO ILLUSTRATION - The hue was quickly changed from red to blue to demonstrate complementary color pallet selection used by commercial photographers. Notice how the blue and cyan colors make the subject's face pop off the background. Additionally, red is the most difficult color to reproduce on a press.



When tangents attack
Continuing discussion on the recent post about tangents, the image below is a vast series of tangents. This image is meant to simply be a graphic transitional image in a larger photo story, it couldn't work as a stand-alone, story-telling image.


New students break into small groups during New Student Orientation in the Setzer Student Services building at Lamar University at Lamar University in Beaumont on Friday, June 29, 2007.

The bottom handrail is the largest problem because it captures viewers' attention and leads eyes off the image. At least the lines of each step block eye-flow toward the frame edges (this is good). However, because there isn't a strong focus point, it doesn't work well.

If this was a portrait with a person's face centered within the white area, it would work very well. The handrail lines lead to the landing without intersecting it. The white landing makes a clean background to place a person's face.

FYI, there's a support column to the left of this shooting position to prevent more precise element alignment.

Finally, the color and light quality on some days would provide enough contrast and separation to make this an ideal portrait location (expect to see such a portrait in the future).

Enough for now,

Tuesday, July 03, 2007

Graffiti express


Photos by Mark M. Hancock / © The Beaumont Enterprise

"Tagged" rail cars roll past the Beaumont Civic Center in Beaumont on Wednesday, June 27, 2007.


"Tagged" rail cars roll over the Neches River bridge past the Jefferson County Courthouse in Beaumont.

A photo ran on the wire of a train in a distant city with train graffiti from the Port of Beaumont. Consequently, the photo staff was dispatched to round up some images of train tags around Southeast Texas for others to see.



"Tagged" rail cars roll past an outgrowth of cactus near the Port of Beaumont in Beaumont.


"Tagged" rail cars roll past Riverfront Park in Beaumont.


"Tagged" rail cars roll past the Entergy building in Beaumont.

Please see the entire staff slideshow.


Let's talk tangents

The word tangent comes from a Latin word tangens. It means "to touch." Although tangent has precise mathematical meanings in both geometry and calculus, we'll stick with the original definition and apply it to the visual geometry of images.

Mathematically, a "tangent point" is the location where a line intersects with an arc. Although the mathematical definition applies to a single line and a single arc, PJs must herd cats into a single frame and might have several arcs and lines within the same frame. Any of these intersections may create unwanted or avoidable tangents.

How PJs define tangent
Most tangents occur with a line and an arc. For practical PJ applications, any part of a defined geometric shape (or entire image element) intersecting another geometric shape is considered a tangent.

There are two significant ways we apply the word tangent when we shoot and critique images. The first is held within the image. The second applies to frame edges. Generally, the word tangent isn't good to hear during a critique. It means the PJ was probably sloppy while shooting or cropping an image.

Sometimes tangents can't be avoided. More often, they can (and should be).

When are tangents good?
Many PJs say, "never." However, a tangent is also a powerful tool if used with skill.

As with everything involved in both art and composition, the use or avoidance of tangents is subjective. The rules can be broken, but do so deliberately rather than through ignorance or inattention.

Viewers follow lines with their eyes. When the line encounters a tangent point, the viewer momentarily stops. The viewer scans around the tangent point for signals before proceeding.

In this way, a tangent acts like a four-way traffic intersection. If PJs place important information near one of these tangential locations, viewers are more likely to notice it.

Often the word "leading line" is encountered while explaining this idea. However, most new PJs obsess about the leading line while missing the point. PJs must understand the leading line can't go tangent with the main subject.

A tangent line is a visual spear. When it's placed through someone's skull, it's not a leading line. It's the death of an image.

The line's purpose is to lead the eye toward the focal point without intersecting. The leading line is made more powerful when a tangent is placed near the focal point. Thus, the eye is directed to the appropriate area and stops momentarily to get to the purpose of the image. This is subtle and requires finesse.

Tangents within images
Unless an image is made against seamless paper or a clean backdrop, the likelihood of a tangent line is high. This is due to both the common shape of our primary subjects (people) and environment (shelters). Bluntly, people are arcs and structures are lines.

Even in nature, fauna are combinations of arcs while flora tend to be lines. Consider a bear walking through the woods. The bear is a series of arcs while the trees are at least two lines (one on each side of the trunk and two more for each branch).

If the bear walks in front of three small trees, there are 12 tangent points (two per tree both above and below the bear).

Although we could obsess, the point is to understand the problem exists. Then, we can further understand when to ignore or spaz about these tangents.

2D geometric design
Photography is a two dimensional art. We detailed this in the Address basic composition post. Every visual element within the frame ultimately becomes a series of geometric shapes once captured in these two dimensions.

We learned it's important to keep visual elements separated through the use of tone, contrast and color.

Once we are looking at 3-D scenes as a series of adjustable 2-D geometric shapes, then life becomes easier. Often, all it takes is closing one eye to understand the difference, but it still takes some training beyond this simple exercise.

We must "see" in 2-D to understand how it translates to the finished image. This is only accomplished after many, many images and failures.

Tangents along frame edges
I'll probably do an entire post on frame edges one day because they're so important. However, since we're talking tangents today, let's at least address the problem.

The entire length of each of the frame's four edges is a line. Any element that intersects the lines makes a tangent. Each tangent along the frame's edge is a potential leaping point for a viewer. Thus, it's critical to keep frame edges clean and tangent-free.

Whenever possible, use curved lines (arcs) to redirect the viewer away from the edges and back to the focal point of the image. It's much better to incorporate a dark area or completely out-of-focus foreground element along the edges than to allow a tangent to occur and lose a viewer. PJs only get a few seconds with each viewer; we must keep the viewer as long as we can on each image.

How to avoid tangents
Often, it's a matter of looking at the scene and seeing the 2-D elements within the scene. Then, select the appropriate lens based on depth of field and background options.

Experienced PJs already position themselves to avoid tangents. Sometimes it's impossible. Then, try to minimize the tangents' impact or use it to your advantage. However, newer PJs need to learn to move around the scene to get the right separation of elements with the proper lens to avoid tangent lines. This is best done with the PJ's eye up to the viewfinder.

All of this must be kept within the four edges of the frame without causing additional tangents.

Once this is accomplished, we can add layers of information for a stong skeletal structure and make sure we have dark corners and, hopefully, we started with interesting subject matter and quality light.

Like I said, it's like herding cats into a single frame. Quality images are everywhere, it's up to PJs to find them. Knowing to recognize avoidable tangents is a significant step in the right direction.

Test your knowledge
Take a look at today's images. As you look through them, ask yourself which image presents the most obstacles to telling the story and keeping a viewer's attention. I'd say it's frame No. 2 of the Jefferson County Courthouse.

Now, ask yourself, "why?" and answer the question. Hint: it involves tangents.

Enough for now,

Monday, July 02, 2007

Gator Grabbin' Contest


Video © Mark M. Hancock / DFWmark.com

Each year, alligator wranglers gather at Gator Country in Fannett, Texas to see how many gators they can grab from a pond in 15 minutes. The gators are later tagged and released back into the pond.

Gary Saurage, co-owner of Gator Country and opening narrator, gets bit at about 2:00. Since folks across the pond are unaquainted with the reptilian man-eaters. I cut one scene and deleted the comment and response.

Gator Country has a special license and is responsible for the safety of each animal. They have a high-quality show and the animals are well maintained. This is part of why they must tag them each year. The tag actually protects the gators during floods.

This is part of the "Movie Mondays" series. Please take a moment to click the Google Video link on the video player and vote for this video (or my others). Even if it's only worth one star to you, please vote. A video's overall rank is determined by how many people vote at all. Thanks. :-)

Sunday, July 01, 2007

First Jason horror rocks Bmt


Ari Lehman, who portrayed Jason in the original "Friday the 13th" movie, prepares for his horror rock performance at The Vortex in Beaumont on Friday, June 29, 2007.

Photos by Mark M. Hancock / © The Beaumont Enterprise



Ari Lehman of First Jason performs at The Vortex. Port Arthur-based Freak13 and Chicago-based First Jason kicked off their national "Creatures of Crystal Lake Tour."



Ari Lehman of First Jason performs at The Vortex. The horror veteran continues to New Orleans, Indianapolis and St. Louis, among nine total gigs. His home town of Chicago is the last stop on Friday, July 13.


(left) Andy "Sinner 666" Wojtaszek of First Jason plays guitar at The Vortex.

(below) Eva-Marie Rabalais of Beaumont smiles at friends during a First Jason horror rock concert at The Vortex.




Please listen to Freak13's MySpace page) while watching the slide show below.

Please also read "Rockin' Horror Picture Show" by Pete Szatmary.





Saturday, June 30, 2007

Freak 13 kicks off national tour


Vocalist Ravenica Rose of Port Arthur-based Freak13 sings at The Vortex in Beaumont on Friday, June 29, 2007. Freak13 and Chicago-based First Jason kicked off their national "Creatures of Crystal Lake Tour."

Photos by Mark M. Hancock / © The Beaumont Enterprise



Scot Lackey of Port Arthur-based Freak13 plays guitar at The Vortex.


Vocalist Ravenica Rose of Port Arthur-based Freak13 performs at The Vortex. The horror convention veterans continue to New Orleans, Indianapolis and St. Louis, among nine total gigs. Chicago is the last stop on Friday, July 13.



Ben "Trashbin" Lambert (left) and "Guilty" Garcia (right) of the Houston-based band Rejected Unwanted performs during a horror rock concert at The Vortex.


"Tucker" of the Houston-based band Rejected Unwanted plays drums during a horror rock concert at The Vortex. They performed a "love song." The song is about a woman the singer loves so much that he kills her, eats her and wears her face as a mask.

Please see the entire 51-frame slideshow (without sound - listen on Freak13's MySpace page).

Please also read "Rockin' Horror Picture Show" by Pete Szatmary.

Friday, June 29, 2007

One time, at Band Camp


Photos by Mark M. Hancock / © The Beaumont Enterprise

Macy Morehead, 12, of Anahuac plays flute during the annual Band Camp at Lamar University in Beaumont on Tuesday, June 26, 2007.


Kaaman Grant, 12, of Beaumont plays trumpet during the annual Band Camp at Lamar University in Beaumont. More than 350 students participated in the camp.



Kaaman Grant, 12, of Beaumont plays trumpet during the annual Band Camp at Lamar University.


Campers practice for a performance during the annual Band Camp at Lamar University.


Sean Neil, 12, of Bridge City plays euphonium during the annual Band Camp at Lamar University.

Thursday, June 28, 2007

Walk Against Domestic Violence


Photos by Mark M. Hancock / © The Beaumont Enterprise

Ron Brooks of Beaumont participates in the 1st annual Walk Against Domestic Violence at the Crockett Street Entertainment District in Beaumont on Saturday, June 23, 2007. The event was sponsored by Family Services of Southeast Texas to raise awareness of domestic violence.


Quincy A. Jones of Beaumont (center) explains the purpose of Silent Witness silhouettes during the 1st annual Walk Against Domestic Violence at the Crockett Street Entertainment District. Last year, seven local women died at the hands of their husband or boyfriend.


Gizelle, 1, a Chinese Crested Powderpuff, (left) gives a kiss to Halo, 10, a Chinese Crested Hairless, (right) before the 1st annual Walk Against Domestic Violence at the Crockett Street Entertainment District in Beaumont.

Wednesday, June 27, 2007

Scenic Steinhagen Lake


Photos by Mark M. Hancock / © The Beaumont Enterprise

The boat launch on the eastern side of Steinhagen Lake remains unusable on Thursday, June 21, 2007. Steinhagen Lake near Jasper was refilled with water after it was drained to kill invasive plant species.


A public boat ramp on the western side of Steinhagen Lake remains clogged with growth after the lake was refilled.


A truck passes on a repaired U.S. Highway 190 bridge while canoes await rental by campers in Martin Dies Jr. State Park. The Texas Department of Transportation made repairs to U.S. Highway 190 bridges over the lake while it was drained.


A cattle egret flies over the swimming area of Martin Dies Jr. State Park. Much of the lake is about seven feet deep while it is 35 feet in the deepest part of the Neches River channel.


The swimming and picnic areas of Martin Dies Jr. State Park remains unused. The Hen House Ridge Camping Unit is open for visitors. The Walnut Ridge Unit is still under repair from Hurricane Rita.


Water begins to kill plants that grew on the lake bed while Steinhagen Lake was dry.

Tuesday, June 26, 2007

Steinhagen's salvinia


Photos by Mark M. Hancock / © The Beaumont Enterprise

Ray Linderman (in water) and David Weeks (in boat) secure a separation boom near an outgrowth of Giant Salvinia (Salvinia molesta) on Steinhagen Lake on Thursday, June 21, 2007. The Cherokee Unit boat launch of Martin Dies Jr. State Park has been closed until the Giant Salvinia is removed.


Howard Elder, an aquatic habitat biologist with Texas Parks and Wildlife, talks about the dangers of allowing Giant Salvinia to grow. Giant Salvinia doubles its mass each seven days and kills all other water life.



A sign in Howard Elder's office warns of transporting Giant Salvinia in Texas. It is a federal crime to possess the South American native plant. The plant is a significant problem on other Texas lakes.


See a larger version of this slideshow.

An outgrowth of Giant Salvinia (Salvinia molesta) is contained on Steinhagen Lake on Thursday, June 21, 2007. The Cherokee Unit boat launch of Martin Dies Jr. State Park has been closed until the Giant Salvinia is removed.
Please see the YouTube version of this slideshow. Please set your YouTube viewer to 1080p to see the show in high definition.

Monday, June 25, 2007

Smith Oaks Bird Sanctuary video



Photos by Mark M. Hancock / © The Beaumont Enterprise
Video © Mark M. Hancock / NewsEagles.com


I'll try to continue "Movie Mondays" and post a video each Monday until I get this VJ stuff figured out. Google uses .mp4 compression (5M vs. 129M files). The sound is good (use headphones), but the video doesn't compare. It's better than .avi, but it's nowhere near the original .mov. Soon enough, we'll be able to upload the full files in a matter of minutes, but this is where technology is today.

This video of the Smith Oaks Bird Sanctuary includes images from earlier this spring. It's 2:12 long. Enjoy.

Sunday, June 24, 2007

Fairy princess


Ella Lemonis, 3, carries her play mobile phone at her grandmother's home in Beaumont on Friday, June 22, 2007. Ella prefers to dress like a fairy each time she visits her grandmother while her mother works.

Photos by Mark M. Hancock / © The Beaumont Enterprise



Jennifer Schroeder gives her daughter Ella Lemonis, 3, an after-work kiss at her mother's home in Beaumont. Ella has preferred to dress like a fairy ever since she was a flower girl in a wedding.



Fayrouz actually found the Fairy of Beaumont. Because of our work schedules, we don't see much of each other lately. So, Fay decided to ride along with me as I hunted for features. I noticed the girl and her grandmother, but they didn't look like they were doing anything. As we drove past, Fay matter-of-factly said, "The little girl has wings."

So, I turned Storm around to A) make sure my wife hadn't "lost it" and B) shoot a little girl with wings. Sure enough, she had wings.

Images start with backgrounds

In PJ circles, there's a perpetual discussion about whether we "make" or "take" images. I acknowledge this debate and must suspend it for this post. Today, we must apply the "make" paradigm in order to explain this important compositional concept.

New canvas
When painters set a new canvas on an easel, they must make several choices before they begin work. They often decide a color pallet, subject and approach.

While there are exceptions, most paintings begin with a background. The artist may paint the sky, mountains or trees. Then, they apply additional layers of information leading toward the foreground elements. It would be nearly impossible to begin with blades of grass in the foreground and fill the background between them.

Photographers are presented with a new canvas each time they prepare to make an image. Like the painterly artists, it's best to build the image from the back to the front.

Start clean
When arriving at a location, immediately scout clean backgrounds. We look for evenly lit, typically monochromatic areas to place subjects within. The size of the background area often determines which lens to use.

If we're using the open sky as a background and can get close to the subject, a wide-angle lens is a good choice. If background options are nothing but clutter or access is difficult, we'll often reach for a long (telephoto) lens.

In both cases, the background combined with the foreground determines the exact lens approach to the subject. Either way, we have a clean background upon which to place the remainder of the image.

Select light intensity
Light intensity is often the predominant issue when selecting appropriate backgrounds. We tend to look for backgrounds with equal or less light than the foreground elements. Backgrounds with more than three stops difference (darker) are called "low key" backgrounds. The light intensity difference allows the subject to pop off a muted background.

However, sometimes we'll opt to use a high key background to get a different feel for an image. A "high key" background is often five or more stops brighter than the main subject. When the main subject is properly exposed, most of these backgrounds appear white. As a precaution, it's best to use fill flash when shooting against most high-key backgrounds.

Whether we use darker or lighter backgrounds, the important issue is to have sufficient difference in light intensity to isolate the subject.

The light intensity on a background can also add to or negate the effects of color. For instance, a black wall with five times (five stops) more light than the foreground element appears muddy white. Consequently, it's important to also factor in background reflectivity to the light intensity to achieve desired results.

Use contrast
Contrast is the difference between two subjects. In simple terms, contrast is the difference between the reflectivity of black and white. In terms of color, it's also the difference between a color and its complementary color.

Surfaces with high reflectivity are often in contrast with surfaces with high light absorption. For instance, black velvet absorbs light while white ice reflects light. Although these two surfaces can be in the same (harsh) light, the contrast between the two surfaces can exceed the dynamic range.

Likewise, two subjects in the same light that reflect complementary colors from a color wheel are in contrast (red/cyan, blue/yellow, green/magenta). The complementary colors of brown, red and yellow (common skin colors) typically complement the blue to cyan color groups. This is why bluish backgrounds are often chosen as backgrounds when photographing humans.

Build forward
The crux of this post has been to understand backgrounds are frequently the first compositional element chosen by PJs. Once a background is selected, PJs can move until the subject aligns with the background. Then, additional layers of information can be included via lens selection, angle and position.

While the subject of the image remains the most important factor, the background is often the difference between a successful, professional image and an amateur snapshot. When images are designed and composed from the back to the front, they're more successful.

Enough for now,

Saturday, June 23, 2007

Transient tent


Mark M. Hancock / © The Beaumont Enterprise

A shack remains on the wooded property by the former Dollinger steel plant where construction has started in Beaumont on Tuesday, June 19, 2007. Neighbors have complained to the city about transients living in tents and other temporary shelters around the former steel plant.

Please read "Transients near old Dollinger steel mill worry residents" by Dee Dixon.

Friday, June 22, 2007

T'ed-off disc golfers

Allan Caldwell of Houston releases his disc during the weekly golf club match at the Golden Triangle Disc Golf Course at Pleasure Island in Port Arthur on Wednesday, June 20, 2007. The City of Port Arthur is considering plans to convert the course into a recreational vehicle park.

Photos by Mark M. Hancock / © The Beaumont Enterprise


Disc golf club members have added notes in chalk to the score card station at the Golden Triangle Disc Golf Course at Pleasure Island in Port Arthur.


Recreational trailer owners take advantage of the view of Sabine Lake near the Golden Triangle Disc Golf Course at Pleasure Island. The current RV areas on the island are filled to capacity with construction workers. City officials want to accommodate temporary area workers as well as future visitors.


Golden Triangle Disc Golf Club president Jeff Thompson throws his disc toward a basket at the Golden Triangle Disc Golf Course at Pleasure Island. He is against the idea of turning the 15-year-old course into an RV park.


Jeff Thompson, (from left to right) Allan Caldwell, Dwight LeGrand and Brian Jones complete a basket at the Golden Triangle Disc Golf Course at Pleasure Island.

Please read "RV park moving to replace disc golf" by Christine Rappleye.